Recording Studio Rockstars

Uboats will float your Atomic Instruments! Joe talked about his new mastering studio Garage Masters, how to get loudness right for streaming, set up your mastering session in Presonus Studio One, do song spacing, and choose limiters, eq, and plugins. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Joe Hutchinson, a mastering engineer at Garage Masters in Nashville, TN where Joe has been providing mastering services for over 10 years.  Joe works in a well-designed room built in 2022 and uses a combination of analog and digital tools to give each song or project what it needs. Every project is different, and what happens in mastering can vary from heavy-handed processing to being almost transparent. Often mastering will catch little things missed in the production/mixing process since a mastering engineer offers a fresh set of ears, and in that sense acts as the quality control at the end of the recording process. Joe was my mastering engineer at the Hay Bale Studio at

This is a quick update to let you know that iZotope RX11 is here, featuring enhanced modules such as Dialogue Isolate, Spectral Editor ARA (for Logic Pro), Loudness Optimize, Streaming Preview, Music Rebalance, Repair Assistant, Dialogue Contour, Audio Device Handling, and Mid-Side display mode. Don't miss out on a special 10% discount on this or any iZotope product with our coupon code: ROCK10." https://www.izotope.com/en/lp/rockstars.html Adam Audio proudly presents the limited-edition Arctic White series of the A4V and A7V speakers. Not only will they sound incredible in your studio, but they'll also add a touch of style with their sleek, cool design. https://www.adam-audio.com/en/news/industry/a4v-and-a7v-limited-edition-white-studio-monitors/ LEWITT brings you the RAY microphone with advanced Aura technology on board to create autofocus for your voice! You no longer have to worry about levels or boominess for voice and instruments -the RAY automatically adjusts your levels for perfect sound every time.

Rack-mount your own real transformers! Todd talked about recording with dynamic mics, mixing with real transformers as plugins, setting up Atmos, automating Pro Tools with Soundflow, how to 3-mic drums, building a studio, and mastering your own mix. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Todd Burke who has been recording and mixing records and underscores in Los Angeles for over 25 years. His album credits include Ben Harper, Jack Johnson, The Kooks, Belle and Sebastian, M83, and Fitz and the Tantrums. More recently, he has been enjoying mixing Atmos versions of records by Albert Hammond Jr, Christina Perri, and Jeff Goldblum and working as a Score Mixer. A few notable films include The Big Sick, Daddy's Home 1 & 2, Second Act, I Feel Pretty, The Lovebirds, Stargirl, The King of Staten Island, Yes Day, and The Bubble. He also dabbles a bit in Album Mastering with recent projects for The Lickerish Quartet, Motochrist, and Greyboy Allstars. As a teacher he’

Lower that cheese flag dude! Mark talked about writing music for sync that is fun and relatable without being too obvious, building a hotel studio in Mexico, placing music in feature films, using the iPhone mic, horn arrangments, and Shruti boxes. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Mark Rudin, an accomplished artist, producer, and songwriter with a masterful command of multiple instruments - particularly horns. His song "Miracle" was a winner on season 2 of the NBC show Songland, and his work has been featured in major ad campaigns for brands such as Grey Goose and Simple Mills, as well as trailers for the Tom and Jerry Movie and the movie, Easter Sunday. Mark newest release "That Looks Good On Me" ft. KONG is out now and we have a playlist of his music and discography in the show notes. Thank you to Rodger Alan Nichols for the introduction! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://www.adam-audio.com https://www.native-instrume

Send Santa's sleighbells to the chimney object of course! Brad talked about recording awesome drums, creating your own snare and kick samples, how to get a great kick drum sound, how to capture a guitar DI without the buzz, and mixing 9.1.4 in Atmos. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Brad Wood, a producer originally from Chicago where he had Idful Music Corporation - a small but mighty recording studio in Wicker Park. There he recorded albums by bands like Seam, Tar, Shrimp Boat and Eleventh Dream Day. In 1993 he produced Exile In Guyville for Liz Phair which became the catalyst for what became a very long and prosperous career as a producer and mixer. Brad wrapped up the 90’s with many debut albums under his belt, including Sunny Day Real Estate‘s Diary, Veruca Salt‘s American Thighs, Placebo’s self-titled LP, Placebo, and Ben Lee‘s Grandpaw Would. He also notably produced the Original Broadway Cast Recording for Hedwig and the Angry Inch. Throughout th

Organization is everything! Marc talked about recording Bill Frisell & John Zorn, producing The Ramones tribute with Steppendoom, how to make a great compilation album or killer remix, traveling the world to collect vintage ribbon mics, and backup. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Marc Urselli a 7-time Grammy Award nominated, 3-time Grammy Award winning music producer, audio engineer, mixer, sound designer and front of house engineer. Marc Urselli is an interdisciplinary artist, scholar and devotee of all things art, sound & music and works for and collaborates with musical & visual artist, bands, musicians, composers, theater directors, film, TV, brand & mixed media multi disciplinaires from around the world. He has worked with U2, Foo Fighters, Nick Cave, Lou Reed, Sting, Keith Richards, Kesha, Jeff Beck, Les Paul, Buddy Guy, Luther Vandross, Bill Frisell, Kronos Quartet, Laurie Anderson just to name a few in syles ranging from rock, p

A hit recording might only be 2.5 min in 13.8 billion years of the universe! Dom talked about playing bass for the Queen of England & Obama, the history of KC jazz, learning to make beats, the power of publishing, and 5 reasons to use Ableton Live. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Dominique Sanders, an accomplished producer and composer from Kansas City Missouri. By age 16, he had performed for the Queen of England and established himself as a mainstay in the Kansas City music scene. During one of his many shows in the area, Dom was discovered by Tech9, which started a writing/producing partnership that continues to this day. Dominique currently resides in Los Angeles California and is a published songwriter and producer at prescription songs Notable works include many of Tech9’s #1 Billboard chart debuts, and collaborations with Nipsey Hussle, James Fauntleroy, Jidenna, Janelle Monea, The Game, Jay Prince, Snoop Dogg, and Boyz II Men, Herbie Hancok

Don't pull my beard... unless you're Les Paul! Vance talked about recording Phish on tour with 244 mic inputs over MADI in a remote truck, mixing low-end bass and kick, how to mic a rock drum kit, studio wire and why tweaking mixes is a fool's errand! Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Vance Powell, a multi-Grammy award-winning producer, engineer and mixer, and owner of Sputnik Sound in Nashville with Mitch Dane. Vance’s many credits includes Chris Stapleton, The White Stripes, Arctic Monkeys, and Wolfmother to name just a few. Vance is a repeat guest on the podcast and you can hear his previous episodes on RSR002, 171, 293, 360 and 403 all of which are in the music playlist below so please click through to listen to his discography and to hear about his backstory and get some great tips on mixing and mixing in Atmos. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://www.adam-audio.com https://www.native-instruments.com use code ROCK10

Make mine a phantom center! Steve talked about the birth of mixing in Atmos, recording strings for the last Beatles song, Now And Then, how to record immersively, building a home mixing studio, mics for strings, object bed mixing, and the LFE sub. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Steve Genewick a Grammy-nominated recording engineer with 30 years of experience, both as a studio and live recording and mix engineer. Steve has had the pleasure of working at iconic recording studios around the world such as United Recording, East West Studios, Sunset Sound and Village Recorders in Los Angeles, Abbey Road and Angel studios in London and La Fabrique Studios in France. For 20 years, Steve had the great honor of working alongside the legendary 23-time Grammy award-winning producer and engineer, Al Schmitt. They worked with artists such as Diana Krall, Chris Botti, Gladys Knight, Neil Young, George Benson, Quincy Jones, Burt Bacharach and Paul McCartney. Steve al

Trust your first instinct! Sara talked about setting up your monitors for accurate mixing, how to place your subwoofer, learning to balance a mix first, why 85db is too loud, the power of a high pass filter, group vs solo audition, and mixing vocals. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Sara Carter, a BBC trained mixing engineer based in Leicester (pronounced “lester”) in the UK. Sara started recording and mixing music as a hobby in the mid-90s then later turned it into a full-time career after studying Audio Engineering at the SAE Institute in London and working as a Sound Engineer for the BBC.  Sara learned her trade at the BBC's Maida Vale Studios by working under the mentorship of some of the best engineers in the business. During this time, Sara worked with a wide variety of artists such as Adele, The Black Keys and Rod Stewart to name a few. More recently she focuses on helping home studio musicians mix music at home through her training courses, coac

Is your home studio the best place for your client? Ken talked about recording at home vs a big studio, playlists vs endless sessions, why pressure is good for music, riding the master fader, mixing with drum samples, and setting up for Atmos. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Ken Sluiter, a Grammy-nominated recording engineer/producer/mixer who has been on the podcast before for episodes RSR111 and RSR194 when we talked about his background and shared some awesome mixing tips for the studio. Ken's credits include artists such as Morrissey, Flogging Molly, Andra Day, Divine Fits, Heart, Jerry Lee Lewis, James Blunt, Weezer, the Mekons, The Jesus Lizard and Ok Go to name a few. He has worked with many audio greats like Joe Chiccarelli, Jim Scott, and Andrew Scheps.  It has been a few years since we've chatted with Ken so today we will be focusing on what's new at his studio and surely sharing some more thoughts on mixing in stereo and immersive audio. Tha

Do frozen cats make your mixes cooler? Joe talked about the history of Ocean Way Studios, how to fix cymbals ruining your drum mix, how to make a Decca tree in your home studio, double miking vocals, mixing with parallel dynamics, & immersive audio. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Joe Baldridge, a multi Grammy winning engineer with over 36 years of professionally credited experience in music production, recording, mixing, artist management and brand / artist development with nearly 600 credits on AllMusic.com, and has received a nomination for 2014 Record of the Year for work on Taylor Swift’s RED and won a Dove award for production work for Toby Mac.  Joe is a graduate of Belmont University where he also now teaches. He joined the Audio Engineering Technology department at The Mike Curb College of Entertainment and Music Business as an adjunct in 2010, Fulltime Lecturer in 2013 and Instructor in 2019. He is now the Director of Studio Operations at

Produce records with bands or bricks? Dave talked about assembling a production for an artist, songwriting for publishing vs self, how to get songs finished, the importance of sightlines and headphones, and how to find your voice on stage and studio. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Dave Coleman who grew up near the Big South Fork National River and Recreation Area, in Jamestown, Tennessee. He thought he’d become a park ranger, but his love of guitar and music sent Dave to Belmont University in Nashville. He started a band (The Coal Men, still active after 24 years), had a brief publishing deal with Acuff-Rose Music, played for years with Duane Jarvis, and a long list of Nashville’s roots and Americana artists. Producing, recording, and mixing became his day to day around 2010. He’s a self described “multi-instrumentalist with a community-driven heart.” Dave has produced and recorded albums for Amelia White, Tim Carroll, The Rough & Tumble, Lynn Tay

Ga Ga Ti Ga, Ga Ga Ga Ti Ga... John talked about the Samba sing-a-long, studying in India, and Brazil, recording vibes and various percussion instruments, the importance of cultural context in music, and bringing your A-game to every studio session! Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is John Arrucci, an acclaimed master artist in Classical, Jazz, North Indian, Afro-Cuban, Afro-Brazilian and other indigenous traditions and someone I first met when he moved to Nashville to build his studio. Having composed, performed, and instructed for over 40 years, John has studied on three continents and received numerous honors.  His work as drummer and percussionist is featured on scores for feature films, television, commercial spots and recordings including on Sony, Polygram, Mercury, Chesky, Koch Jazz, Chiaroscuro, Rykodisc and other labels. He has performed and/or recorded with Michael Brecker, John Patittucci, Mariah Carey, David Byrne, Philip Glass Ensemble, and fo

Which is actually more... less or more? Brandon talked about mixing with guitar pedals, Velcro walls, installing the Neotek Elite console, working with Jacquire King, and why you should be using SSL UF8 and UC-1 with UAD Luna and Harrison Mixbus 32C. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Brandon Highfill, head engineer at Schematic Studios and the owner of Eastside Music Supply here in Nashville, TN. Originally from Jacksonville, FL Brandon moved here in 2009 and with his friend and bandmate Blair, started Eastside Music Supply in 2014.  Brandon played guitar in bands since high school and was always fascinated with the recording process but didn't really catch the "bug" until he set out to build a practice space for himself in 2016 which morphed into a full-blown studio as he became obsessed with making the room sound good and building it right the first time. This quickly led to sell more than half of his pedal collection to invest in a small handful of mi

Are you listening to the gnomes? Al talked about recording in Iceland, studying Grateful Dead lyrics, finding Oteil's voice, band tracking setup, the importance of bleed, mono vs stereo, mixing templates, Aquarian Rescue Unit, and Michael Jackson. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Al Evans a multi-instrumentalist, engineer, producer, artist, and record label owner based in Western Massachusetts. Alan has been making music on stage and in the studio for over 30 years, most notably with his band Soulive as well as with artist like Oteil Burbridge, John Scofield, George Porter Jr., Karl Denson, Ivan Neville, and Reggie Watts.  Al has been a guest on the podcast previously for episode RSR183 and RSR339 to talk about recording at his studio Ironwax. And today we get to talk about his recent production for Oteil Burbridge “Lovely View Of Heaven” recorded in Iceland, and recording new material with his band Soulive. THANKS TO OUR SPONSORS! http://UltimateMixing

Sing it again or mix it with a doubler plugin? Brian talked about producing layered vocal bedroom-psych rock, recording and mixing super punchy drums, finger-picked acoustic guitar, and using the LEWITT LCT1040 on vocals with LCT640TS on guitar amps. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Brian K. Fisher, a Seattle-born musician, mixer, and producer currently residing in Boston, MA. By day he works as a marketing manager for LEWITT, an innovative Austrian microphone and audio company, and on nights and weekends, he’s producing, mixing and writing as much music as possible. Shaped by Seattle’s eclectic and tight-knit indie music scene, he’s been producing and performing music under the moniker Eastern Souvenirs for the past 10+ years and mixing, engineering and producing for other like-minded bands and artists for the past 3 years. His remote mixing business has steadily grown as home recording and virtual collaboration become a standard practice (and budgetar

Can you write a song on an island? Dave talked about capturing the seeds of songs, mixing with Chris Shaw, signing Nataniel Rateliff, Clap Your Hands and Say Yeah, and Ween to Rounder Records, and finding inspiration in Native Instruments Kontakt. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Dave Godowsky, a veteran in the music industry, having spent the past 20+ years in Management, A&R, and Artist Relations. On the label front, he served as Director of A&R for Rounder Records (where he discovered and signed artists including Nathaniel Rateliff and Delta Spirit) and GM at Partisan Records (home to artists like IDLES, Fontaines DC, and Deer Tick). On the management front, he served as VP for Danny Goldberg at GoldVE, managing the careers of artists including Against Me!, Okkervil River, Speedy Ortiz, and Cass McCombs. On the technology front, Godowsky handles all artist and industry relations for the pioneering audio tech innovator iZotope, and now Native

Take care of your unicorns! Jordan talked about using a Neve console with Pro Tools, capturing the moment and letting the vibe happen, recording your heroes and when to push them for even more, and microphones for vocals, guitar, piano, and drums. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Jordan Hamlin, a multi-instrumentalist, composer, engineer and music producer based in Nashville, TN. A lifelong advocate for Creatives, she is the owner and founder of a 20 acre residential recording studio and retreat space, MOXE. In the studio, she’s produced and/or engineered albums or new musical works for the GRAMMY winning duo, Indigo Girls, KT Tunstall, Tenille Townes, Allison Russell, Lucy Wainwright Roche, Sasha Sloan, Lila Blue, Rufus Wainwright, Adia Victoria, and many others. As a touring and session musician, her contributions on stage and in the studio have included collaborations with Brandi Carlile, Missy Higgins, Amy Ray, Ruby Amanfu, Loudon Wainwright III, Ka

Digital or real guitar cabinet? Nathan talked about going from intern to engineer at Blackbird Studios, running a studio like a high-end hotel, how steel drums are heavy metal, why tape should always be rolling, and how to create crankable records. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Nathan Yarborough, a heavy rock and metal music producer, engineer, and mixer who started out in North Carolina with a Tascam 4 track studying recording in college and finding his way to Nashville to intern at Sony/Tree and Blackbird Studios where he worked for eight years with some of the greatest engineers like Vance Powell, Niko Bolas, George Massenburg, Joe Chiccarelli and many others. He then went on to engineer records for producer Nick Raskulinecz for 10 years and now he works with a variety of bands at all different levels to make great recordings here in Nashville. I met Nathan recently at the 25th Annual AudioMasters Benefit Golf Tournament when we stopped at hole. T