Off The Page

Jalen Eutsey is a 2022-2024 Wallace Stegner Fellow at Stanford University. His poems have appeared in Best New Poets 2022, Nashville Review, Poetry Northwest, Harper Pallet, and The Hopkins Review.

Stanford grad Isaac Vaught (class of 2020) reads his essay “The Burden of Bad Men,” which explores masculinity, mass incarceration, and legacy. Isaac Vaught received his BA from Stanford University, where he received the 2020 Creative Nonfiction Prize. He is currently an MFA candidate in Fiction at Florida State University.

Zach Williams' debut story collection, Beautiful Days, is forthcoming from Doubleday in 2024. He is a 2021-2023 Wallace Stegner Fellow in Fiction at Stanford University and holds an MFA from New York University. His work has been featured in The New Yorker, The Paris Review, and McSweeney's Quarterly Concern.

Jones Lecturer Georgina Beaty reads “Shelter Seekers,” a story from her recent debut collection The Party is Here, and talks about writing the climate crisis and experimenting with form. Georgina Beaty is the author of the short story collection The Party is Here (Freehand Books, 2021). Her fiction has appeared in New England Review, The Walrus, The New Quarterly, The Fiddlehead, PRISM, and elsewhere. As an actor and playwright, she’s worked with theatres across Canada and internationally. A 2020-2022 Stegner Fellow in fiction, she holds an MFA from the University of British Columbia, has been supported by fiction residencies at MacDowell and The Banff Centre, and was a screenwriting resident at the Canadian Film Centre. She's currently a Jones Lecturer in Creative Writing at Stanford University.

Jones Lecturer Georgina Beaty reads “Shelter Seekers,” a story from her recent debut collection The Party is Here, and talks about writing the climate crisis and experimenting with form. Georgina Beaty is the author of the short story collection The Party is Here (Freehand Books, 2021). Her fiction has appeared in New England Review, The Walrus, The New Quarterly, The Fiddlehead, PRISM, and elsewhere. As an actor and playwright, she’s worked with theatres across Canada and internationally. A 2020-2022 Stegner Fellow in fiction, she holds an MFA from the University of British Columbia, has been supported by fiction residencies at MacDowell and The Banff Centre, and was a screenwriting resident at the Canadian Film Centre. She's currently a Jones Lecturer in Creative Writing at Stanford University.

In this episodes, Amanda Gunn reads from her debut collection, Things I Didn’t Do With This Body (Copper Canyon Press, 2023). Amanda Gunn grew up just at the edge of the woods in southern Connecticut with two older brothers. She is a Wallace Stegner Fellow at Stanford, as well as a PhD candidate in English at Harvard where she studies poetry, ephemerality, and Black pleasure. Her recent work appears in Poetry, Los Angeles Review of Books Quarterly Journal, and Narrative Magazine.

Jackson Holbert reads poems from his debut book, Winter Stranger (2023, Milkweed Editions), which won the 2022 Max Ritvo Prize. Jackson was born and raised in eastern Washington. His work has appeared in Poetry, FIELD, The Nation, Narrative, Colorado Review, Alaska Quarterly Review, Copper Nickel, The Iowa Review, and multiple editions of Best New Poets. He received his MFA in poetry from the Michener Center for Writers and is currently a Wallace Stegner Fellow at Stanford. He has received fellowships from the Michener Center for Writers, The Stadler Center for Poetry, and The Sewanee Writer’s Conference and has been a finalist for the Ruth Lilly and Dorothy Sargent Rosenberg Fellowship.

Madeline Haze Curtis’s writing has appeared or is forthcoming in Bellevue Literary Review, Copper Nickel, West Branch, and The Forge Literary Magazine, among other publications. She received the Louis Sudler Prize for Excellence in the Arts and was nominated for the PEN/Robert J. Dau Short Story Prize. She holds a BA from Stanford University and is currently an MFA candidate in fiction at the University of Wisconsin–Madison.

Madeline Haze Curtis’s writing has appeared or is forthcoming in Bellevue Literary Review, Copper Nickel, West Branch, and The Forge Literary Magazine, among other publications. She received the Louis Sudler Prize for Excellence in the Arts and was nominated for the PEN/Robert J. Dau Short Story Prize. She holds a BA from Stanford University and is currently an MFA candidate in fiction at the University of Wisconsin–Madison.

Hieu Minh Nguyen is the author of two collections of poetry, This Way to the Sugar (Write Bloody Press, 2014), and Not Here (Coffee House Press, 2018), which was named the winner of the Publishing Triangle's Thom Gunn Award for Gay Poetry. A recipient of the Ruth Lilly and Dorothy Sargent Rosenberg Fellowship from the Poetry Foundation, Hieu is also a 2018 McKnight Writing Fellow, a Kundiman Fellow, and a 2017 National Endowment for the Arts Literature Fellow. His work has appeared in Poetry Magazine, Best American Poetry, The New York Times, and elsewhere. He is a graduate of the MFA Program for Writers at Warren Wilson College, a former Stegner Fellow, and a current Jones Lecturer in the creative writing program at Stanford. Originally from the Twin Cities, Hieu now lives in Oakland.

Hieu Minh Nguyen is the author of two collections of poetry, This Way to the Sugar (Write Bloody Press, 2014), and Not Here (Coffee House Press, 2018), which was named the winner of the Publishing Triangle's Thom Gunn Award for Gay Poetry. A recipient of the Ruth Lilly and Dorothy Sargent Rosenberg Fellowship from the Poetry Foundation, Hieu is also a 2018 McKnight Writing Fellow, a Kundiman Fellow, and a 2017 National Endowment for the Arts Literature Fellow. His work has appeared in Poetry Magazine, Best American Poetry, The New York Times, and elsewhere. He is a graduate of the MFA Program for Writers at Warren Wilson College, a former Stegner Fellow, and a current Jones Lecturer in the creative writing program at Stanford. Originally from the Twin Cities, Hieu now lives in Oakland.

Aamina Ahmad reads from The Return of Faraz Ali, a rich and deeply moving novel about confronting histories both personal and political. Aamina Ahmad, a graduate of the Iowa Writer’s Workshop, has received a Stegner Fellowship from Stanford University, a Pushcart Prize, and a Rona Jaffe Writer’s Award. Her short fiction has appeared in One Story, The Southern Review, Ecotone, and elsewhere; she is also the author of a play, The Dishonored. She teaches Creative Writing at the University of Minnesota.

Author Lydia Conklin reads "Pioneer," a story from Rainbow Rainbow, their delightful debut collection of prize-winning stories, queer, gender-nonconforming, and trans characters struggle to find love and forgiveness, despite their sometimes comic, sometimes tragic mistakes. Lydia Conklin is an Assistant Professor of Fiction at Vanderbilt University. Previously they were the Helen Zell Visiting Professor in Fiction at the University of Michigan. They’ve received a Stegner Fellowship in Fiction at Stanford University, a Rona Jaffe Writer’s Award, three Pushcart Prizes, a grant from the Elizabeth George Foundation, a Creative & Performing Arts Fulbright to Poland, work-study and tuition scholarships from Bread Loaf, and fellowships from MacDowell, Yaddo, Djerassi, Hedgebrook, the James Merrill House, the Vermont Studio Center, VCCA, Millay, Jentel, Lighthouse Works, Brush Creek, the Santa Fe Art Institute, Caldera, the Sitka Center, and Harvard University, among others. They were the 2015-2017 Creative Writing

In this episode, Shannon Pufahl's reads “Lucky." You can find more of Shannon's work at [his/her] website: https://www.shannonpufahl.com/about Off the Page is a podcast of stories, essays, and poetry from the Stanford University writing community, produced by the Stanford Storytelling Project in collaboration with the Stanford Creative Writing Program. Music by Breakmaster Cylinder Learn more at storytelling.stanford.edu and at creativewriting.stanford.edu

In this episode, Arielle DeVito reads two short stories, "Owen" and "Wing-Longing." You can find more of Arielle's work at her website: https://arielledevito.com/ Off the Page is a podcast of stories, essays, and poetry from the Stanford University writing community, produced by the Stanford Storytelling Project in collaboration with the Stanford Creative Writing Program. Music by Breakmaster Cylinder Learn more at storytelling.stanford.edu and at creativewriting.stanford.edu

In this episode, Sterling HolyWhiteMountain reads an excerpt from the anthology, "The Education of Little Man False Star Boy." Off the Page is a podcast of stories, essays, and poetry from the Stanford University writing community, produced by the Stanford Storytelling Project in collaboration with the Stanford Creative Writing Program. Music by Breakmaster Cylinder Learn more at storytelling.stanford.edu and at creativewriting.stanford.edu

In this episode, Stegner Fellow Derrick Austin reads a suite of poems. Off the Page is a podcast of stories, essays, and poetry from the Stanford University writing community, produced by the Stanford Storytelling Project in collaboration with the Stanford Creative Writing Program. Music by Breakmaster Cylinder Learn more at storytelling.stanford.edu and at creativewriting.stanford.edu

In this episode, Neha Chaudhary-Kamdar reads an excerpt from her first novel. Off the Page is a podcast of stories, essays, and poetry from the Stanford University writing community, produced by the Stanford Storytelling Project in collaboration with the Stanford Creative Writing Program. Music by Breakmaster Cylinder Learn more at storytelling.stanford.edu and at creativewriting.stanford.edu

In this episode, Chloe Hamilton reads a suite of poems. Off the Page is a podcast of stories, essays, and poetry from the Stanford University writing community, produced by the Stanford Storytelling Project in collaboration with the Stanford Creative Writing Program. Music by Breakmaster Cylinder Learn more at storytelling.stanford.edu and at creativewriting.stanford.edu

In this episode, Lena Blackmon reads a suite of poems. Off the Page is a podcast of stories, essays, and poetry from the Stanford University writing community, produced by the Stanford Storytelling Project in collaboration with the Stanford Creative Writing Program. Music by Breakmaster Cylinder Learn more at storytelling.stanford.edu and at creativewriting.stanford.edu