Three One G

Episode 41 is a conversation with Steve Hill, a Black Satanist running for Congress in Southern California in a district that is primarily white and conservative. This is particularly interesting when considering his background of being in the US Marines, as well as a correctional officer in the 90s (He also works in real estate, as well as being a stand up comedian as of more recently). Throughout his life, Hill has been a strong advocate and activist in favor of freedom of speech and freedom of/from religion, which led to his meeting Lucien Greaves and The Satanic Temple. He is now in vocal opposition of the prison system, having the unique perspective of being on the enforcement side of it, while also being an African American man living in America-- the demographic disproportionately facing incarceration. Luke, Justin and Steve discuss the extreme racism and bias he has dealt with, even resulting in an arrest that he is currently fighting. Hill shares his thoughts on the culture wars, division in the coun

Episode 40 is a conversation with drummer Joe Plummer (Cold War Kids, Modest Mouse, The Shins, The Black Heart Procession, etc.). They talk about the variety of music he has taken part in, working on research podcasts, tour stories involving frisbees and back problems, pickle ball and yoga, the San Diego connections that Joe has, and the similarities in the DNA of Seattle and San Diego. They also talk about the heart, integrity, and work ethic that brings their community of weirdos together, even despite their musical or artistic differences.

In Episode 39 of the Cult and Culture Podcast, Luke and Justin interview two of their yoga instructors, Jamie Lee and Nam Chanterwyn. Both of these teachers have a unique style to instructing, as well as interesting approaches to life that, in many ways, tie into the concepts of being in a band. Luke and Justin wanted to take this episode to focus on a different point of view that may challenge what many assume when they think of yoga, as they both practice it regularly themselves. They talk about working with the body donation program and being a licensed funeral director (Jamie), teaching yoga full time at 22 classes a week (Nam), horror movies, the frustration and ego of practicing yoga, cultural appropriation and acting with intentionality rather than out of habit, and the Prison Yoga Project. They discuss the parallels between having confidence in performing music and instructing yoga, ad libbing and gaining creativity from that, accessibility and the communities that emerge. Additionally, there is an ad

In this episode, Justin and Luke talk with Nick Reinhart (Tera Melos, Disheveled Cuss, Death Grips, Pinback). They talk less about the technical proficiency that Nick clearly has, but the morals connected with being a musician. Nick reflects on the importance of Tera Melos for himself, and Nick and JP share the memories and lore surrounding Tera Melos playing with The Locust, considering how technical, weird, and aggressive music emerged during that time. Reinhart also shares a bit about his process for his solo project, Disheveled Cuss, a more "normal" approach to music than he has ever done, which for him felt like one of the riskier things he could do. They also encourage the audience to consider the artistic choices bands make when performing, from counting into a song to the intentionality of talking (or not talking) to the crowd. They discuss the question: "Does it still ALL come back to Fugazi?" and muse on the concept of selling your music to a McDonald's commercial for a million dollars, culminating

In the latest episode of Cult and Culture, Luke and Justin have a conversation with Lucien Greaves, co-founder of The Satanic Temple and Satanic Planet. Some may remember that they had done an earlier episode with him in 2019; since then, and largely as a result of that podcast conversation, they created Satanic Planet, a musical project which combines the previously formed Planet B with the addition of Greaves (They also went on to enlist Dave Lombardo for the recording of both albums). Here, they discuss the evolution of the band from their initial vision, and how the newest album which is currently being recorded has shifted from the first in numerous ways, including the overall purpose and instrumentation used. Lucien gives insight into being on stage as a vocalist for the first time, and the ability to really enjoy the experience and share positive energy with the crowd rather than the more combative lecture settings he has become accustomed to. They also reflect on playing the Indiana State Capitol show

In Episode 36 of this podcast, Justin and Luke join their Planet B bandmates Scott Osment (Deaf Club, Glassing) and Kevin Avery (Cnts, Buddha Trixie) to talk about the band as a whole. They cover its beginnings, how it operates with what is essentially three drummers (two live drummers and Luke using two MPCs), and the process of writing lyrics for a band that may be too strange for people to get totally comfortable with, having one foot in hip hop and one in punk. With their second full LP, Fiction Prediction, they consider the evolution of the band, the influences driving them, and the differences from one album to the next. They also talk about the visual aesthetics of their performances as well as other memorable performance setups they've seen, and their "definitively maximal" sound.

Episode 35 of Cult and Culture is a conversation with Rob Moran, filmed and recorded in one of San Diego's best bars/restaurants, Kindred. Rob is a musician in bands such as Unbroken, Some Girls, Over My Dead Body, Narrows, and others, as well as co-owner of Heartwork Coffee. Luke, Justin, and Rob discuss the formation of San Diego hardcore legends Unbroken, and the unconventional influences (such as The Smiths, The Cure, and Depeche Mode) they pulled from to bring something different to hardcore/straight edge aesthetics and sound. Rob also talks about the feeling of "otherness" that is common in San Diego, finding it hard to find the cultures that you truly identify with, remembers the overwhelming emotions that came with the Unbroken reunion shows, and recalls how San Diego formed its own scene in the shadow of Los Angeles and right alongside Tijuana. They wrap up the podcast by talking more about Heartwork, the coffee shop Rob is co-owner of, and the connection it has to the punk community. Ultimately, Rob

This episode is a conversation with producer, DJ, and turntablist D-Styles (Invisibl Skratch Piklz, Beat Junkies, Third Sight) They talk about the connection between death metal and turntablism, Mix Master Mike and the Beastie Boys, creating grimy beats from 50 cent records, and letting music do the talking over expensive gear. They also cover the Beat Junkie Institute of Sound, which is a DJ school in the Los Angeles area open to people of all ages started by D-Styles and the Beat Junkies. Finally, they discuss how innovators pull from different worlds, grabbing from what's around them to create something new, and the hunger that comes from artists who start out with broken homes and broken gear. The concept of Cult and Culture began as a short segment created by Justin Pearson, an internationally known musician, record label owner (Three One G Records), author, and actor. He is perhaps best known as bassist for bands such as Dead Cross, The Locust, and Some Girls as well as vocalist for Deaf Club, Swing Kid

In Episode 33, Justin and Luke talk with Bobby Bray of The Locust, Holy Molar, and INUS. Bobby is a guitarist, a sound technician, and teacher. The three start the conversation with the formation of The Locust, Bobby's trajectory branching out from death metal as a teenager, and the eventual goal of being a “brutal Residents”/“brutal DEVO." They dive into the business side of music, the legal aspects of streaming, the intersectionality and evolution of technology and music, the invention of the term “pedal tone for guitar,” and Bobby’s experience for a decade teaching classes like experimental sound, live sound, business, and recording arts. Finally, Bobby shares his new hobby/passion of cycling with a crew of noise musicians, and some of the trips they’ve recently taken. The concept of Cult and Culture began as a short segment created by Justin Pearson, an internationally known musician, record label owner (Three One G Records), author, and actor. He is perhaps best known as bassist for bands such as Dead Cr

This episode is a conversation between bassists with Chis Slorach (Metz, The Armed). The discussion touches on topics like how Metz has operated over the years, favorite drummers and the importance of them to a band, the jazziness of Nomeansno, and how being booed sometimes is more memorable than the positive highlights. Chris also shares his approach to bass playing, keeping things simple but crushing in order to do what's best for the music. The concept of Cult and Culture began as a short segment created by Justin Pearson, an internationally known musician, record label owner (Three One G Records), author, and actor. He is perhaps best known as bassist for bands such as Dead Cross, The Locust, and Some Girls as well as vocalist for Deaf Club, Swing Kids, and Planet B. Having traveled the world touring in hardcore and punk bands since age 15, Justin has come to know and work with a broad spectrum of captivating personalities and brilliant minds, many of which are key figures in the realm of popular culture

In this episode of Cult and Culture, JP and Luke interview another JP, one of Justin's oldest and best friends, Jose Palafox. Jose is a drummer who has been in bands such as Struggle and Swing Kids with Justin, has been a college professor, and now works as a social worker in drug rehabilitation in the Bay Area. This episode focuses heavily on mental health, with discussion of suicide. The conversation is a heartfelt one that touches on concepts like what it means to be "punk"-- to avoid the nihilistic side of it and embrace empathy, to focus more on your actions than your words or your aesthetic. Jose speaks from a place of personal experience, as someone who has dealt with addiction and suicidal ideation, and has now been sober for thirteen years. The concept of Cult and Culture began as a short segment created by Justin Pearson, an internationally known musician, record label owner (Three One G Records), author, and actor. He is perhaps best known as bassist for bands such as Dead Cross, The Locust, and S

In the latest episode, Luke and Justin talk with Tad Miller, drummer of one of the pioneers of powerviolence, Crossed Out. Tad recounts his beginnings in music in school, playing percussion with power and theatricality in a way that influenced his “caveman” approach to drumming in his band. He also notes the perhaps seemingly unlikely impact on him of genres like prog and funk, as well as his connection to punk over metal. Crossed Out’s formation and subsequent time before calling it quits, as well as its legacy and importance to others is discussed, with the caveat that you can never count out the possibility of their eventual terrifying return. The concept of Cult and Culture began as a short segment created by Justin Pearson, an internationally known musician, record label owner (Three One G Records), author, and actor. He is perhaps best known as bassist for bands such as Dead Cross, The Locust, and Some Girls as well as vocalist for Deaf Club, Swing Kids, and Planet B. Having traveled the world touring

In Episode 29, Cult and Culture talks with NYC-based Venus Twins, Jake and Matt Derting, simultaneously the sweetest and noisiest identical twin punks you'll ever come across. The two discuss their start in music, from learning it in a more classical sense and going to school for it, dropping out, and transitioning to the drum-bass DIY noise duo they have become. They talk telepathy, parlor tricks, and future collaborations wherein they will join forces with a second pair of twins to create a new musical project. They also share some of their influence, their approach to performance, and their uncanny ability to Jedi-Mind-Trick cops into allowing them to play on abandoned bridges next to Zoos directly over highways.  The concept of Cult and Culture began as a short segment created by Justin Pearson, an internationally known musician, record label owner (Three One G Records), author, and actor. He is perhaps best known as bassist for bands such as Dead Cross, The Locust, and Some Girls as well as vocalist for

On this episode of Cult and Culture, Luke and Justin speak with prolific San Diego musician John Reis of Pitchfork, Drive Like Jehu, Hot Snakes, Rocket from the Crypt, Plosivs and more. They discuss the idea of speaking through an instrument, trying to play every show with the goal of making it feel like the only place in the world someone would want to be, experiencing the chaos of a live GG Allin show, playing with both Fugazi and Danzig in short succession, and the formation of some of Reis's iconic bands. Reeling from the recent loss of long time best friend and musical collaborator Rick Froberg, John also talks about loss, legacy, and the final music the two made together in Hot Snakes. Catch up on all episodes of Cult and Culture podcast, via iTunes, or through Three One G’s Soundcloud or at ruinousmedia.com/cultandculture.

Cult & Culture Podcast Episode 27, feat. Julie Robbins and Jamie Stillman of EarthQuaker Devices, dives into the history of one of the most highly regarded pedal companies among musicians right now. Julie and Jamie share their approaches to running a business placing DIY ethics above all else, the importance of valuing their employees/team over profit, and often draw comparisons in their day to day operations to being in a band or functioning as a touring musician. Continuing to be at the forefront of innovative ideas and always embracing their products being used in unconventional ways (for example, in a symphony), this episode discusses the struggles and successes of the business, and always returns to the central idea of building community. The concept of Cult and Culture began as a short segment created by Justin Pearson, an internationally known musician, record label owner (Three One G Records), author, and actor. He is perhaps best known as bassist for bands such as Dead Cross, The Locust, and Some Gir

In Episode 26 of Cult and Culture, Justin and Luke catch up with two members of short-lived 90s hardcore band End of the Line, Cory Linstrum (John Henry West) and Matt Anderson (Gravity Records, Heroin). They talk about coming up DIY, seeing Born Against play in their own garage, working with Ebullition to release their only album (now being reissued by Three One G), and the second (third? fourth?) wave of hardcore that the 90s brought with it. They also talk about the violence happening in San Diego at that time, the magic of the legendary venue Che Cafe and the scene it fostered, and the way that music helps keep people connected over decades in ways that nothing else can. They also dive deeper into Gravity Records, and some of the memorable releases including Man is the Bastard, Earthless, and Antioch Arrow. The concept of Cult and Culture began as a short segment created by Justin Pearson, an internationally known musician, record label owner (Three One G Records), author, and actor. He is perhaps best

The concept of Cult and Culture began as a short segment created by Justin Pearson, an internationally known musician, record label owner (Three One G Records), author, and actor. He is best known as bassist/vocalist for bands such as Dead Cross, The Locust, and Retox. Justin has come to know and work with a broad spectrum of captivating personalities and brilliant minds, many of which are key figures in the realm of popular culture and cult followings alike. John Waters was one of the first people interviewed for the project- an icon of both cult and culture. Other guests include a broad scope of musicians, producers, authors, and anyone passionate about what they do. In its infancy, segments were shorter, 10-20 minutes, and would be recorded while on tour. Since then, Pearson has collaborated with producer and musician Luke Henshaw (Planet B, Sonido de la Frontera) to build the idea into a proper podcast, now recorded at Penguin Studios in San Diego. The focus is not intended to be solely on people in any o

The concept of Cult and Culture began as a short segment created by Justin Pearson, an internationally known musician, record label owner (Three One G Records), author, and actor. He is best known as bassist/vocalist for bands such as Dead Cross, The Locust, and Retox. Justin has come to know and work with a broad spectrum of captivating personalities and brilliant minds, many of which are key figures in the realm of popular culture and cult followings alike. John Waters was one of the first people interviewed for the project- an icon of both cult and culture. Other guests include a broad scope of musicians, producers, authors, and anyone passionate about what they do. In its infancy, segments were shorter, 10-20 minutes, and would be recorded while on tour. Since then, Pearson has collaborated with producer and musician Luke Henshaw (Planet B, Sonido de la Frontera) to build the idea into a proper podcast, now recorded at Penguin Studios in San Diego. The focus is not intended to be solely on people in any o

The concept of Cult and Culture began as a short segment created by Justin Pearson, an internationally known musician, record label owner (Three One G Records), author, and actor. He is best known as bassist/vocalist for bands such as Dead Cross, The Locust, and Retox. Justin has come to know and work with a broad spectrum of captivating personalities and brilliant minds, many of which are key figures in the realm of popular culture and cult followings alike. John Waters was one of the first people interviewed for the project- an icon of both cult and culture. Other guests include a broad scope of musicians, producers, authors, and anyone passionate about what they do. In its infancy, segments were shorter, 10-20 minutes, and would be recorded while on tour. Since then, Pearson has collaborated with producer and musician Luke Henshaw (Planet B, Sonido de la Frontera) to build the idea into a proper podcast, now recorded at Penguin Studios in San Diego. The focus is not intended to be solely on people in any o

The concept of Cult and Culture began as a short segment created by Justin Pearson, an internationally known musician, record label owner (Three One G Records), author, and actor. He is best known as bassist/vocalist for bands such as Dead Cross, The Locust, and Retox. Justin has come to know and work with a broad spectrum of captivating personalities and brilliant minds, many of which are key figures in the realm of popular culture and cult followings alike. John Waters was one of the first people interviewed for the project- an icon of both cult and culture. Other guests include a broad scope of musicians, producers, authors, and anyone passionate about what they do. In its infancy, segments were shorter, 10-20 minutes, and would be recorded while on tour. Since then, Pearson has collaborated with producer and musician Luke Henshaw (Planet B, Sonido de la Frontera) to build the idea into a proper podcast, now recorded at Penguin Studios in San Diego. The focus is not intended to be solely on people in any o