Weird Studies

As Lionel Snell, also known as Ramsey Dukes, observes in his seminal esoteric essay, "The Charlatan and the Magus" (1984), the series of trumps in a tarot deck doesn't begin with the noble Emperor or august Hierophant, but with the lowly Fool, followed by the Juggler. Trickery or illusion, Snell suggests, may not be the dealbreaker we've thought it to be in parapsychological investigation. It may even be a feature, not a bug, of the magical process. In this episode of Weird Studies, JF and Phil talk to Lionel Snell about trickster magic, and all we miss out on when we make rational truth the only measure by which we know reality. Ramsey Dukes [Lionel Snell], "The Charlatan and the Magus" Darren Brown, Tricks of the Mind Yuval Noah Harari, Sapiens: A Brief History of Humankind Phil Ford, “Birth of the Weird" Ramsey Dukes [Lionel Snell], How to See Fairies: Discover Your Psychic Powers in Six Weeks Ramsey Dukes [Lionel Snell], S.S.O.T..B.M.E. John Keats, Negative Capability Weird Studies, Episode 9: "O

Phil stops by JF's Canadian homestead for a raucous IRL conversation on the idea of presence. The range of topics includes objects of power, the magic of books, the mystery of the event, modernity's knack for making myths immanent, genius loci, the mad wonder of Blue Velvet, and the iron fist of the virtual. REFERENCES Gil Scott-Heron, "The Revolution Will Bot Be Televised" Louis CK on smart phones at the ballet recital Henri Bergson, Matter and Memory, Creative Evolution Gilles Deleuze on the virtual: see Bergsonism, Proust and Signs, The Logic of Sense, Difference and Repetition, Cinema II: The TIme Image Expanding Mind with Erik Davis, "Being Anarchist" JF Martel, "Reality is Analog" Jason A. Josephson-Storm, The Myth of Disenchantment (and Gyrus's review) Gyrus, North: The Rise and Fall of the Polar Cosmos William Irwin Thompson, The Time Falling Bodies Take to Light: Mythology, Sexuality and the Origins of Culture Geoffrey O’Brien, Phantom Empire David Foster Wallace, “David Lynch Keeps His Head” D

American philosopher Joshua Ramey, author of The Hermetic Deleuze: Philosophy and the Spiritual Ordeal, and Politics of Divination: Neoliberal Endgame and the Religion of Contingency, joins Phil and JF to discuss a philosophical project whose implications go deep and weird. In his books and articles, Joshua proffers the vision of a world where divination -- whether or not it is recognized as such -- isn't just possible, but necessary for advancing knowledge, creating art, and forming communities. And his research has revealed that the wardens of our neoliberal order know this all too well. As he writes in an essay discussed in this episode, the mandate of a weird age ought to be clear: "Occupy, and practice divination." **REFERENCES Joshua Ramey, The Hermetic Deleuze: Philosophy and the Spiritual Ordeal Joshua Ramey, Politics of DIvination: Neoliberal Endgame and the Religion of Contingency Joshua Ramey, "Contingency Without Unreason: Speculation After Meillassoux" (abstract) Vanessa de Oliveira Andreott

The writings of underground filmmaker Jack Smith serve as a starting point for Phil and JF's second tour of the trash stratum. In their wanderings, they will uncover such moldy jewels as the 1944 film Cobra Woman, the exploitation flick She-Devils on Wheels, and (wonder of wonders) Hitchcock's Vertigo. The emergent focus of the conversation is the dichotomy of passionate commitment and ironic perspective, attitudes that largely determine whether a given object will turn out to appear as a negligible piece of garbage... or the Holy Grail. By the end, our hosts realize that even their own personal trash strata may give off shimmers of the divine. Jack Smith, Flaming Creatures Robert Siodmak (director), Cobra Woman (1944) Jack Smith, "The Perfect Filmic Appositeness of Maria Montez" Roger Scruton, English philosopher Mystery Science Theater 3000 (TV series) Kenneth Burke, American literary theorist Alfred Hitchcock (director), Vertigo (1958) Fyodor Dostoevsky, Notes from Underground Charles Ludlam's Theater

Is the Holy Grail a crushed beer can in the gutter? JF and Phil consider the implications of Philip K. Dick's line, "the symbols of the divine initially show up at the trash stratum." Gnosticism, Aleister Crowley's Thoth tarot, Thomas Ligotti's "The Order of Illusion," Jack Smith's glorification of moldy glamour, saints' relics that look like beef jerky -- all this and more in the first of a two-part conversation. REFERENCES Aleister Crowley, The Book of Thoth Phil Ford, "What Good News Do You Bring?" Philip K. Dick, The Exegesis Philip K. Dick, VALIS Stanislav Lem, Microworlds Jonathan Haidt, The Righteous Mind Robertson Davies, The Rebel Angels Thomas Ligotti, Noctuary Friedrich Nietzsche, The Birth of Tragedy Frank Darabont (dir.), The Shawshank Redemption Weird Studies podcast, On Tarkovsky's 'Stalker' Part 1 and Part 2 Richard Wagner, Parsifal Learn more about your ad choices. Visit megaphone.fm/adchoices

After announcing that Weird Studies will be going to a bi-weekly release schedule for the summer, Phil and JF talk about how the podcast has gone so far and what's on the horizon (more guests!). Before long, they're digging deep into what makes each of them tick as weird speculators, locating the points at which their ideas differ and converge. The discussion touches on the philosophy of Quentin Meillassoux, the theology of Tertullian, the Beatles, the Coke-Pepsi dichotomy, the art of religion, and more. SHOUT OUTS Mandala artist Betty Paz Infinite Conversations Michael Garfield, the Future Fossils podcast Ramsey Dukes (Lionel Snell), “The Charlatan and the Magus” Joshua Ramey, The Hermetic Deleuze: Philosophy and the Spiritual Ordeal and The Politics of Divination: Neoliberal Endgame and the Religion of Contingency REFERENCES Patrick Harpur, The Secret Tradition of the Soul Quentin Meillassoux, After Finitude: An Essay on Contingency GK Chesterton, Orthodoxy MC Escher, Drawing Hands The works of Tert

JF and Phil finally get down to brass tacks with William James's essay "Does Consciousness Exist?" At the heart of this essay is the concept of what James calls "pure experience," the basic stuff of everything, only it isn't a stuff, but an irreducible multiplicity of everything that exists -- thoughts as well as things. We're used to thinking that thoughts and things belong to fundamentally different orders of being, but what if thoughts are things, too? For one thing, psychical phenomena (a great interest of James's) suddenly become a good deal more plausible. And the imaginal realm, where art and magic make their home, becomes a sovereign domain. REFERENCES William James, "Does 'Consciousness' Exist?" Steven Shaviro, The Universe of Things Jean-Paul Sartre, The Transcendence of the Ego William James, Essays in Psychical Research Weird Studies D&D episode Proust, À la Recherche du Temps Perdu The Venera 13 probe's photos of the surface of Venus Wallace Stevens, "A Postcard from the Volcano" Le

In this first part of their discussion of William James' classic essay in radical empiricism, "Does 'Consciousness' Exist?", Phil and JF talk about the various ways we use the slippery C-word in contemporary culture. The episode touches on the political charge of the concept of consciousness, the unholy marriage of materialism and idealism ("Kant is the ultimate hipster"), the role of consciousness in the workings of the weird -- basically, anything but the essay in question. That will come in part two. Header image by Miguel Bolacha, Wikimedia Commons REFERENCES William James, "Does 'Consciousness' Exist?" Daniel Dennett, Consciousness Explained Daniel Pinchbeck, author and founder of Reality Sandwich Phil Ford, Dig: Sound and Music in Hip Culture Scott Saul, Freedom Is, Freedom Ain't: Jazz and the Making of the Sixties Quentin Meillassoux, After Finitude: An Essay on the Necessity of Contingency Matt Cardin - author and editor, creator of The Teeming Brain Learn more about your ad choices. Vi

JF and Phil tackle Genjokoan, a profound and puzzling work of philosophy by Dogen Zenji. In it, the 13th-century Zen master ponders the question, "If everything is already enlightened, why practice Zen?" As a lapsed Zen practitioner ("a shit buddhist") with many hours of meditation under his belt, Phil draws on personal experience to dig into Dogen's strange and startling answers, while JF speaks from his perspective as a "decadent hedonist." "When one side is illumined," says Dogen, "the other is dark." For proof of this utterance, you could do worse than listen to this episode of Weird Studies. REFERENCES Dogen Zenji, Genjokoan Shohaku Okumura and the Sanshin Zen Community in Bloomington, Indiana Peter Sloterdijk, You Must Change Your Life Weird Studies, Episode 8: "On Graham Harman's 'The Third Table'" Gilles Deleuze, Cinema 1: The Movement Image Jun'ichiro Tanizaki, In Praise of Shadows Thomas Aquinas, Summa Theologica Henri Bergson, Matter and Memory Søren Kierkegaard, Fear and Trembling Joris-Karl H

In this second of a two-part conversation on Andrei Tarkovsky's 1979 film Stalker, Phil and JF explore the film's prophetic dimension, relating it to Samuel R. Delany's classic science-fiction novel Dhalgren, the cultural revolution of the 1960s, the affordances of despair, the spookiness of color, the transformation of noise into music, and the Chernobyl disaster. They even come up with a title for a novel Robert Ludlum never wrote but should have written: The Criterion Rendition! REFERENCES Andrei Tarkovsky (dir.), Stalker Samuel R. Delany, Dhalgren (foreword by William Gibson) H.P. Lovecraft, "The Colour Out of Space" John Searle, Seeing Things as They Are: A Theory of Perception Steve Reich, Come Out Gustav Mahler, Symphony No. 1 Martin Heidegger, "The Question Concerning Technology" Stanley Kubrick, The Shining The Chernobyl Exclusion Zone Sigmund Freud, Beyond the Pleasure Principle Learn more about your ad choices. Visit megaphone.fm/adchoices

Journey into the Zone to uncover some of the strange artifacts buried in Tarkovsky's cinematic masterpiece, Stalker (1979). In this first of a two-part conversation, Phil and JF discuss a poem by Tarkovsky's dad, compare the film with the sci-fi novel that inspired it, explore the ideological underpinnings of formulaic genre, delve into the meaning and affordances of the concept of zone, and affirm that in a sufficiently weird mindset, even a casual stroll in your hometown can become an excursion into a Zone of your own. REFERENCES Andrei Tarkovsky (dir.), Stalker Arkady and Boris Strugatsky, Roadside Picnic The Wachowskis (dir.), The Matrix James Cameron (dir.), Avatar Second City Television (SCTV), vintage Canadian comedy show Alex Garland (dir.), Annihilation (based on the novel by Jeff Vandermeer; here's an article on how Garland's film differs from Vandermeer's arguably weirder text) SCTV, Monster Chiller Horror Theatre: Whispers of the Wolf Learn more about your ad choices. Visit megaphone.

Heraclitus of Ephesus was one of the great pre-Socratic thinkers. Called the Obscure and the Weeping Philosopher, he left behind a collection of fragments so mysterious and pregnant with meaning that they continue to puzzle scholars to this day. In this episode, Phil and JF use a random number generator to select a number of fragments and speculate about their content. By the end, they will also have disclosed the bizarre contents of JF's tenth-grade "hippie bag," outed Oscar Wilde as a Zen Buddhist, and taken a walking tour of a city that exists only in Phil's dreams. REFERENCES Pierre Hadot, What is Ancient Philosophy? Northrop Frye, The Great Code Northrop Frye, Words with Power I Ching: The Book of Changes Oxford World Classics, The First Philosophers: The Presocratics and Sophists Wikisource page for Heraclitus James Hillman, The Dream and the Underworld Dogen Zenji, Genjokoan Mark Johnson, The Meaning of the Body Gilles Deleuze on Spinoza Benedict de Spinoza, Ethics Oscar Wilde, The Picture o

American filmmaker Rodney Ascher is a master of the weird documentary. Whether he be exploring wild interpretations of a classic horror film in Room 237, bracketing the phenomenon of sleep paralysis in The Nightmare, studying the uncanny power of the moving image in "Primal Screen," or considering the sinister power of a kitschy logo in "The S from Hell," Ascher confronts his viewers with realities that resist final explanations and facile reduction. In this episode, Phil and JF follow Ascher's films into the living labyrinth of a strange universe that isn't just unknown, but radically unknowable. REFERENCES American filmmaker Rodney Ascher, director of "The S from Hell", Room 237, The Nightmare, and "Primal Screen" James Hillman, The Dream and the Underworld The Duffer Brothers (directors), Stranger Things (web TV series) Alan Landsburg (creator), In Search Of... with Leonard Nimoy (American TV series) Errol Morris (director), The Thin Blue Line Ann and Jeff Vandermeer (editors), The Weird: A Compend

M. R. James' "The Mezzotint" is one of the most fascinating, and most chilling, examples of the classic ghost story. In this episode, Phil and JF discover what this tale of haunted images and buried secrets tells us about the reality of ideas, the singularity of events, the virtual power of the symbol, and the enduring magic of the art object in the age of mechanical reproduction. To accompany this episode, Phil recorded a full reading of the story. Listen to it here. REFERENCES M.R. James, "The Mezzotint" Robert Aickman, English author of "strange stories" Edgar Allan Poe, "The Oval Portrait" Walter Benjamin, "The Work of Art in the Age of Mechanical Reproduction" Marshall McLuhan, The Book of Probes Clement Greenberg, American art critic J.F. Martel, Reclaiming Art in the Age of Artifice Marcel Duchamps, Fountain Henri Bergson, Laughter John Cage, American composer David Lynch (director), Twin Peaks: The Return Gilles Deleuze, Difference and Repetition Vilhelm Hammershøi, Danish painter Sig

M. R. James has been hailed as the unrivalled maser of the classic ghost tale, and his powers are at their zenith in "The Mezzotint," a story that first appeared in his 1904 collection, Ghost Stories of an Antiquary. In it, James reimagines the Gothic trope of the haunted picture in a weird new light. The text, read here by co-host Phil Ford, serves as a springboard for Weird Studies episode 11, where we discuss the enduring power of the art object in the age of mechanical reproduction. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1977, Philip K. Dick read an essay in France entitled, "If You Find this World Bad, You Should See Some of the Others." In it, he laid out one of the dominant tropes of his fictional oeuvre, the idea of parallel universes. It became clear in the course of the lecture that Dick didn't intend this to be a talk about science fiction, but about real life - indeed, about his life. In this episode, Phil and JF seriously consider the speculations which, depending on whom you ask, make PKD either a genius or a madman. This distinction may not matter in the end. As Dick himself wrote in his 8,000-page Exegesis: "The madman speaks the moral of the piece." REFERENCES Philip K. Dick, excerpts from “If You Find This World Bad You Should See Some Of The Others” R. Crumb, The Religious Experience of Philip K. Dick Emmanuel Carrère, I Am Alive and You Are Dead: A Journey into the Mind of Philip K. Dick “20 Examples of the Mandela Effect That’ll Make You Believe You’re In A Parallel Universe” Philip K. Dick, The Man

The plan was to discuss the introduction to Aleister Crowley's classic work, Magick in Theory and Practice (1924), a powerful text on the nature and purpose of magical practice. JF and Phil stick to the plan for the first part of the show, and then veer off into a dialogue on the basic idea of magic. Along the way, they share some of the intriguing results of their own occult experiments. REFERENCES Photo of JF's "large sum" cheque Aleister Crowley, Magick in Theory and Practice The Gospel According to Thomas James George Frazer, The Golden Bough: A Study in Magic and Religion Erik Davis, "Weird Shit" I Ching, The Book of Changes Joshua Gunn, Modern Occult Rhetoric: Mass Media and the Drama of Secrecy in the Twentieth Century The Book of the Sacred Magic of Abramelin the Mage The Shackleton Expedition Grant Morrison on how to do sigil magic Alan Chapman, Advanced Magick for Beginners David Hume, A Treatise of Human Nature David Hume, An Enquiry Concerning the Human Understanding Joshua Ramey, "Conti

JF and Phil discuss Graham Harman's "The Third Table," a short and accessible introduction to "object-oriented ontology." Phil takes us on a tour of his closet, we discover that JF's kids are better at this weird studies stuff than their old man, and the conversation veers through Harman's Lovecraftian "weird realism," Zen's "just sit" meditation, panpsychism, Martin Buber's I and Thou, experimental filmmaking, and more. WORKS AND IDEAS CITED IN THIS EPISODE Graham Harman, "The Third Table" Graham Harman, Tool-Being: Heidegger and the Metaphysics of Objects Martin Heidegger, Being in Time J. F. Martel, "Ramble on the Real" Graham Harman, Weird Realism: Lovecraft and Philosophy H. P. Lovecraft, "The Call of Cthulhu" Arthur Stanley Eddington, The Nature of the Physical World Graham Harman, "Objects and the Arts" (lecture) Bernardo Kastrup, Why Materialism is Baloney Daniel Dennett, Consciousness Explained Walden, A Game – A computer game based on Heny David Thoreau’s classic work, Walden South Park, “Guita

For as long as they've been pounding the crap out of each other for good reasons, humans have also been pounding the crap out of each other for fun. Everywhere, in ever age, elaborate systems, rituals, and traditions have arisen to ring in the practice of violence and thereby offer the rough beast that lurks in every soul a chance to come out for a stretch in the sun. In this episode, Phil and JF delve into one of the most scandalous affairs of all: the illicit dalliance of Aphrodite and Ares, beauty and violence. WORKS & IDEAS DISCUSSED IN THIS EPISODE: Ernest Hemingway, Death in the Afternoon James Hillman, A Terrible Love of War Homer, The Odyssey Joyce Carol Oates, On Boxing La fosse aux tigres (documentary directed by Jason Brennan and JF Martel; Nish Media) Walter Benjamin, The Work of Art in the Age of Mechanical Reproduction Richard Strauss's opera Salome Gur Hirshberg, "Burke, Kant, and the Sublime" Gilles Deleuze, The Logic of Sense Learn more about your ad choices. Visit megaphone.fm/ad

The Dutch historian Johan Huizinga was one of the first thinkers to define games as exercises in world-making. Every game, he wrote, occurs within a magic circle where the rules of ordinary life are suspended and new laws come into play. No game illustrates this better than Gary Gygax's tabletop RPG, Dungeons & Dragons. In this episode, Phil and JF use D&D as the focus of a conversation about the weird interdependence of reality and fantasy. Header image: Gaetan Bahl (Wikimedia Commons) WORKS CITED OR DISCUSSED IN THIS EPISODE Official homepage of the Dungeons & Dragons roleplaying game Critical Role web series   Another RPG podcast JF failed to mention: The HowWeRoll Podcast Demetrious Johnson’s Twitch site Game Over: Kasparov and the Machine (documentary)   Chessboxing!   Jackson Lears, Something for Nothing: Luck in America   Peter Fischli, The Way Things Go   Jon Cogburn and Mark Silcox, Dungeons & Dragons and Philosophy: Raiding the Temple of Wisdom   Lawrence Schick, ed., Deities & Demi