New Books In Science Fiction

Patrick S. Tomlinson is a stand-up comic, political commentator, and the author of the Children of a Dead Earth series. In this interview, we discuss the first two books in the series, The Ark: Children of a Dead Earth (Book One) and Trident’s Forge: Children of a Dead Earth (Book Two), which follow the last humans eleven generations removed from Earth as their 10-mile-long spaceship arrives on a new planet. As befits a man who wears many hats, Tomlinson’s books are not easily categorized, mixing mystery, science fiction, cultural commentary and adventure. The third book in the series, Children of the Divide, is due out in August. Rob Wolf is the author of the science fiction novels The Alternate Universe and The Escape. His writing has appeared in numerous publications, from The New York Times to the literary journal Thema, and his work has been singled out for excellence by the New York Public Library, The Missouri Review, and the National Council on Crime and Delinquency. Learn more about your

In The Last Good Man (Mythic Island Press, 2017), Linda Nagata uses a brisk and bracing writing style to immerse us into the lives of private military contractors, in the near future. The team, basically moral individuals, work in conjunction with individually guided, robotic weapons and surveillance equipment. If Katheryn Bigelow, the director of Zero Dark Thirty, wrote a speculative fiction novel, it might be something like this. Wasting no words, the story stays right on track, concentrating on army veteran True Brighton as she and her teammates undertake a dangerous mission, which wakes old wounds. For True, painful memories of her son’s death resurface, while her boss, Lincoln, must come to terms with a past decision he made for the greater good of the unit. True’s anguish and her questions about right action are absorbing and affecting. On another level, the story works as speculative fiction, inviting us to consider a future where AI combat replaces human soldiering more and more. The poin

The Prey of the Gods, published by Harper Voyager on June 13th, is Nicky Drayden‘s debut novel, though she’s published many short stories. It’s a compassionate work, despite a neglected blood-thirsty goddess and an ancient spirit who assaults women in their dreams, in order to father his brood. Though set in 2064, boys are still boys, impulsive, playful, and needing to be brave. Families are still families, with traditional grandfathers hoping to share their ways with their descendants, although elders and parents often pose the greatest danger. Boisterously mixing mythology and science fiction, the novel moves along from multiple perspectives, keeping the ball rolling. Be sure to pay attention to the old man’s story about the mythological offspring he had; it serves as a framework to understand various characters and their newly acquired powers. Between cross-dressing politicians, a fashion-obsessed demon, and a bot revolution, there’s never a dull moment in Cape Elizabeth. An e

The House of Binding Thorns (Ace, 2017), Aliette de Bodard‘s novel set in a turn-of-the-century Paris devastated by a magical war, is the follow up to The House of Shattered Wings, which won the 2015 British Science Fiction Association Award. The books are set in an alternate Paris, where dragons and other sea-creatures drawn from Vietnamese mythology control the river Seine, and the Fallen, ruthless angels expelled from heaven, control everything else. The reader is enveloped in gossamer threads of dread, as she reads about the struggles of various characters to escape domination and cruelty. Both the dragon kingdom and the Houses of the Fallen offer nuanced gradients of aggression; there is no refuge for the powerless. A pregnant Vietnamese woman, an immortal from Asia who lost most of his power, and a French woman who is addicted to the magic found in angel bones, all try to find their way among the shifting alliances, subterfuges, and occasional rewards of a decaying and rotting city. This is low fa

Have you ever watched a futuristic movie and wondered if there will actually be any black people in the future? Have you ever been surprised, disappointed, or concerned with the lack of diversity demonstrated in many science fiction stories? In Speculative Blackness: The Future of Race in Science Fiction (University of Minnesota Press, 2016) the author analyzes the highly racialized genre of speculative fiction including science fiction, fantasy, and utopian works, along with their fan culture to illustrate the relationship between genre conventions in media and the meanings ascribed to blackness in the popular imagination. Speculative Blackness: The Future of Race in Science reveals new understandings of the significance of blackness in twentieth-century American literature and culture and interrogates the meanings of race and genre through studies of science fiction, fanzines, comics, film and television, and other speculative fiction texts. Author and professor Andre Carrington earned his bachelors degree

Cory Doctorow has described Ada Palmer’s Too Like the Lightning (Tor, 2016) as a book “more intricate, more plausible, more significant than any debut I can recall.” That praise reflects Palmer’s immense skill in building a world 500 years in the future but also her vast knowledge of the past. And it’s no surprise that Palmer knows something about the past. In addition to launching the first of a four-volume series with Tor, she is a cultural and intellectual historian at the University of Chicago, where she studies (among other things) the history of publishing and the Italian Renaissance. She says that knowing exactly how the world has changed over the last 500 years – politically, culturally, socially – has helped her imagine plausible changes for the next 500. In Too Like the Lightning, the 25th century is enjoying a reinterpretation of the 18th century Enlightenment, although with flying cars and non-geographic nations. Society congratulates itself for having ban

“The future begins with a traffic jam.” This is how Eliot Fintushel describes the setting of Zen City (Zero Books, 2016), his science fiction novel about the obstacles encountered along the path toward spiritual fulfillment. In Fintushel’s book, the quest for enlightenment manifests as a physical journey as his protagonist, Big Man, makes his way from an eternal traffic jam (in which people have been rooted so long on a highway exit ramp that they’ve created cults around their Econoline vans and Chevrolet Chevelles) to the City, where those who have achieved true enlightenment are literally merged into a single body-consciousness that transcends reality as we know it. More than a commentary on Buddhism, the story is a meditation on religion and the challenge of using “robes and rituals” to find enlightenment, Fintushel explains. The problem is when enlightenment itself becomes a sign of status, he says, undermining the goal of enlightenment, which is supposedly a state of &

Do not call Dave Hutchinson prescient. Even though his Fractured Europe Sequence envisions a continent crumbling into ever-smaller countries, the idea that his homeland could Brexit the EU had not occurred to him when he started writing Europe in Autumn. The book chronicles the adventures of Rudi, an Estonian cook-turned-spy who discovers the existence of an alternate Europe, one in which the Eurasian continent has become a Brexiter’s dream come true, a bucolic but boring England that extends from Spain to Siberia. Its sequel, Europe at Midnight, isn’t really a sequel but a spinoff, introducing new characters who explore the dark side of Europe’s parallel universes. Both books are imaginative, elegant and unexpected, combining elements of thriller and science fiction. And there’s more to come. A third book, Europe in Winter, is due out in November, and a fourth and final book, Europe at Dawn, is in the works. I was fortunate to have Aubrey Fox as a co-host for this interview. He not on

In the fictional battles between humans and machines, the divide between good and bad is usually clear. Humans, despite their foibles (greed, impulsiveness, and lust for revenge, to name just a few), tend to find redemption, proving mankind’s basic goodness through love, friendship and loyalty. Machines, on the other hand, despite their superior physical and mental capacities, usually prove themselves to be (largely through the absence of the aforesaid capacity for love) to be dangerous and unworthy of the empires they seek to rule. But what if the humans and machines were combined – not merely cyborg-like in a jigsaw mix of man and robot but more elegantly, through a perfect blending of mind and matter? Ramez Naam does just that in his Nexus trilogy by wedding a human being’s soul – her memories, feelings and intellect – to the most powerful computer ever built. In Apex (Angry Robot, 2015), the trilogy’s third installment and winner of this year’s Philip K. Dick Awar

Padma Mehta, the hero of Adam Rakunas’ Philip K. Dick Award-nominated novel Windswept, is part Philip Marlow, part Norma Rae, part Jessica Jones. Theres no question that Mehta needs the skills of a union leader, noirish sleuth and action hero. Without them, how could she manage both the day-to-day machinations of helping run a blue-collar planet and simultaneously battle an interstellar corporate conspiracy? Windswept is a fun book, full of action, plot twists and humor. But that doesn’t mean it shies away from grappling with important issues, including a looming environmental disaster — specifically a crop-killing plague that threatens to destroy the monoculture crop that the entire universe depends on. Just as Mehta jumped through numerous hoops to save her world, so did Rakunas to get Windswept published. After working on the novel for several years, he sent the manuscript to 65 agents, and was rejected by 64 of them. The wisdom of the 65th to take him on was vindicated this past January,

Marguerite Reed‘s Archangel (Arche Press, 2015) introduces a hero not often found at the center of science fiction: a mother, who takes cuddling responsibilities as seriously as she does the fate of her planet. Of course, Vashti Loren plays many roles besides Mom. She’s also a hunter, a scientist, a tour guide and the widow of a revered early settler. But Reed spotlights her relationship with her toddler, offering a protagonist who’s not only good with a gun but manages to get her kid to daycare on time. “So many protagonists, whether in science fiction or fantasy or adventure fiction or film are disconnected or separate or isolated from family ties, and I wanted to see if I could write something where people did have family ties, where they were connected, as we so often are in the real world,” Reed says. When Loren discovers that a genetically-enhanced and potentially dangerous human soldier has been illegally smuggled onto the planet, she must decide whether he is friend or fo

PJ Manney‘s fast-action novel (R)evolution (47North, 2015) has all the ingredients of a Hollywood thriller: a terrorist attack using nanotechnology, a military-industrial conspiracy, a scientist who augments his brain – plus, of course, romance, betrayal, and rapid-fire plot twists. The movie-style storytelling comes naturally for Manney, who spent most of her career in Hollywood, developing films and writing for television. “I don’t see myself as a literary stylist or as a great wordsmith. I see myself as a Hollywood-influenced storyteller,” she says. A first-time novelist, Manney says she was “flabbergasted” when she was nominated for this year’s Philip K. Dick Award. “I ended up melding genres and ignoring people’s advice,” she explains. “It doesn’t really fit neatly into any boxes and people who like boxes have a hard time with it…I thought it was just me and my editor who liked it.” (R)evolution explores transformat

This episode features author and futurist Brenda Cooper and is the second of my conversations with nominees for the 2016 Philip K. Dick Award. Cooper’s novel Edge of Dark (Pyr, 2015) is set in a solar system where human are forced to confront a civilization they’d long ago banished: a race of super-beings who evolved from humans into cyborgs. The idea of implanting human intelligence into an artificial body is not new. But Cooper gives it a fresh twist by making the ethics of human-robot blending the central theme of her book. The super-beings (called variously ice pirates and the Next) are returning uninvited from their banishment and, in addition to seeking access to natural resources, are offering immortality to anyone who wants it. Cooper sees Edge of Dark as part of a conversation about the evolution of the human race. “I’m fascinated by transhumanism – what we’re going to become,” Cooper says. “I do think that we’re becoming something different…

In today’s episode, I talk with Douglas Lain, one of six authors whose works were nominated for this year’s Philip K. Dick Award. Lain’s novel, After the Saucers Landed (Night Shade Books, 2015) is set in the early 1990s, when aliens, with the theatrical sense of B-movie directors, land flying saucers on the White House lawn. At first, the visitors seem fit for a Las Vegas chorus line; they’re tall, attractive and never leave their spaceships without donning sequined jumpsuits. Even the name of their leader–Ralph Reality–is marquee-ready. But is Reality as real as he seems? That’s the question that Lain poses for readers and his first-person narrator, Brian Johnson, who confronts the alien invasion head-on when one of the interstellar travelers assumes the identity of his wife. This propels Johnson into an examination of reality through various prisms: popular culture, science, philosophy, art, and even fiction. A kaleidoscope of personalities, artists and thinkers ar

David B. Coe just finished a busy year in which he published three novels, two of which we discuss in this episode of New Books in Science Fiction and Fantasy. His Father’s Eyes (Baen, 2015) is the second book (the first, Spell Blind, was also published in 2015) to follow the adventures of P.I. Justis Fearsson, a weremyste whose investigations are interrupted once a month during the full moon when he slips into psychosis. Dead Man’s Reach (Tor, 2015) written under the pen name D.B. Jackson, is the fourth book in the The Thieftaker Chronicles and focuses on Ethan Kaille, an 18th century version of a private detective (known poetically as a thieftaker) who also happens to be a conjurer. While both protagonists share a number of traits (they’re both crime-solvers and both have magic powers) the series are quite different. The Thieftaker books are partly historical novel, ones in which Coe (aka Jackson) interweaves real people (e.g., Samuel Adams) and events of pre-Revolutionary Boston (e.g., th

Katherine Addison‘s The Goblin Emperor has earned what might be termed a fantasy Grand Slam: the Locus Award for Best Fantasy Novel and nominations for the Nebula, Hugo and World Fantasy awards. To make her achievement even more noteworthy, Addison, like Maia, the royal goblin at the heart of the book, is herself a fiction. The pseudonym was created by author Sarah Monette to satisfy the demands of the publishing industry. As she explains in our interview, her real name had become a “deal-breaker” after sales of the four books of her Doctrine of Labyrinths series had fallen short of expectations. Tor Books was eager to buy her tale of an innocent and virtually forgotten heir who ascends to the throne of the Elflands after the simultaneous deaths of his father and brothers, but they had one condition. “Tor said, ‘We really want to take you on. We’re very enthusiastic and excited, but we can’t do it under your real name. You have to pick a pseudonym.’ And I wanted

At a time when science fiction is more likely to portray ecosystems collapsing rather than flourishing, Jane Lindskold‘s Artemis series is an anomaly. Its eponymous planet is not an ecological disaster but rather full of so many wonders that it was once a vacation paradise for a now vanished society. Of course, like any good science fiction (or fiction, in general, for that matter) Lindskold’s Artemis is full of surprises. But Lindskold takes care not to bludgeon readers with messages about the dangers of science run amok or human interference in nature. “I thought it was completely possible to tell a story without lecturing people,” she says in her New Books interview. “I wanted to put together an exotic and interesting world and let people go adventuring on it with me and if along the way they figured out that ecosystems don’t work if they’re exploited, great but I’m not going to write lectures.” Artemis is a genuine character in the story, one with an e

What do the jobs of opera singer, lawyer and science fiction writer have in common? Answer: Melinda Snodgrass. The author of the just published Edge of Dawn‘s first ambition was to sing opera. But after studying opera in Vienna, she came to the conclusion that “I had a nice voice, [but] I didn’t have a world-class voice.” She then went to law school and worked for several years as a lawyer. Unfortunately, “I loved the law but I didn’t love lawyers,” she explains on New Books in Science Fiction and Fantasy. Her first published books were romance novels, which taught her the “extremely valuable lesson of how to finish what you start. Because that actually is a real problem for people. They’ll have brilliant ideas and write the first three chapters and they’ll never finish.” Her first science fiction novels, the Circuit Trilogy, drew on her knowledge of the law as she chronicled the adventures of a federal court judge riding circuit in the solar s

For his second novel, James L. Cambias chose one of the most challenging settings for a science fiction writer: the near future. Unlike speculative fiction that leaps centuries or millennia ahead or takes place on other planets, a book about the near future presents a world that varies only incrementally from the present. The risk, of course, is that the author’s vision will all-too-quickly be proven wrong. In his New Books interview, Cambias explains why he was drawn to the near future and how he navigated those tricky shoals in the writing of Corsair (Tor Books, 2015), which follows space pirates as they hunt and plunder treasure (hydrogen mined on the moon) using remote-controlled spacecraft. Cambias is certain that space piracy will come to pass. “I absolutely expect that some point that space piracy or space hacking… will become a criminal enterprise. Space hardware is just too valuable,” he says. Cambias also discusses the Hieroglyph Project, which is trying to get science fictio

There’s far more to Swedish literature than Pippi Longstocking and The Girl with the Dragon Tattoo. That’s the message Anna Jakobsson Lund and Oskar Kallner are trying to send the English-speaking world through their contributions to Waiting for the Machines to Fall Asleep (Affront Publishing, 2015), a collection of short stories by Swedish authors. Until recently, the world of science fiction in Sweden was so small that it was possible to keep up with everything that was published. But no more. The genre, thanks in part to self-publishing, is “blooming,” Lund says. The few big Swedish publishers are starting to catch up. “The big publishing houses think [science fiction and fantasy] is something that stops with young adults… and there’s not any status for a writer to be writing science fiction or fantasy,” Lund says. But Kallner says, “Game of Thrones is beginning to change that.” Lund says writing a story in English provided a chance to use more or