New Books In Science Fiction

Sam J. Miller loves cities. He lives in one, has a day job dedicated to making urban life more humane and fair, and has set his new novel, Blackfish City (Ecco, 2018), in a teeming metropolis full of people who are grateful to be there. The fictional metropolis is Qaanaak, which floats in arctic waters like a massive 8-armed asterisk and serves as a refuge for those fleeing climate change, resource scarcity and war. Like Miller’s hometown of New York City, the book is packed with diverse characters, including Fill, a privileged gay man suffering from a new horrifying disease; Kaev, a fighter who’s paid to lose fights; Ankit, chief of staff to a hack politician; and Soq, a gender-fluid messenger with ambitions of becoming a crime boss like the one he works for. They are strangers to each other until a mysterious woman, on a mission of rescue and revenge, rides into town on the back of a killer whale. This woman–an “orcamancer”–brings them close, revealing secret ties that had bound them

If Tolstoy had written Spoonbenders (Knopf, 2017), he might have started it: “All happy families are alike; each family of psychics is unhappy in its own way.” Then again, who needs Tolstoy when you have Daryl Gregory, whose masterful family drama is tied together with telekinesis, astral traveling, and genuine mindreading magic. A Nebula Award finalist and an NPR Best Book for 2017, Spoonbenders tells the story of the one-time Amazing Telemachus Family, who have struggled to make ends meet ever since they were exposed as frauds on national TV. Only they really aren’t frauds. Most of them have true psychic gifts. The problem is that psychic gifts aren’t all that they’re cracked up to be. As Gregory explains, “I was trying to figure out why if people have these powers … wouldn’t they just become rulers of the world? Why wouldn’t they become rich and famous, and I was struck by the rationale that Uri Geller always used, which is ‘there are so many things that can reach out and interfere with your powers that on

Maggie Shen King’s An Excess Male (Harper Voyager, 2017) is a work of science fiction inspired by a real-world dystopia: a country with tens of millions of “extra” men who will never find spouses. The country is China, which in 1979 adopted its one-child policy in the hope of reducing its population of 940 million to around 700 million. The plan was intended to last only one generation, but it endured until 2015. The degree to which the policy has contributed to a drop in China’s fertility rate is an open question, since other factors (like rapid economic development) are also at play. But one consequence of the policy is clear: China now has millions more men than women. An Excess Male made the James Tiptree Jr. Literary Award Honor List and was nominated for a Lambda Literary Award. It also earned spots on a number of “best of” lists, including Barnes and Noble’s and the Washington Post’s lists of the Best Science Fiction and Fantasy novels of 2017. The idea for An Excess Male came to King

Jade City combines what its author, Fonda Lee, calls the 3 Ms: mafia, magic and martial arts. Lee’s talent for depicting complex characters struggling with both internal and external conflicts earned Jade City nominations for the Nebula and Locus Awards. The book is her first written for adults. (Her previous books, Exo and Zeroboxer, were written for young adults and both were shortlisted for the Andre Norton Award). Set in the fictional post-colonial nation of Kekon, Jade City (Orbit, 2017) introduces readers to an economic system governed by family-run clans, where power is obtained through conventional assets, such as the loyalty of businesses and politicians, as well as through use of the gemstone jade. Jade’s special powers include strength, agility and the ability to deflect weapons. But to harness these powers, a Green Bone warrior needs both an innate affinity for jade and extensive training. Lee says jade was “the natural choice” for a magic substance. “In Eastern culture, jade is considered more va

The technological “singularity” is a popular topic among futurists, transhumanists, philosophers, and, of course, science fiction writers. The term refers to that hypothetical moment when an artificial superintelligence surpasses human intelligence, leading to runaway—and unpredictable—advances in technology. Among the biggest unknowns is whether or not the superintelligence will turn out to be benign of malevolent. “All sorts of visions arise, one of which might be the total annihilation of humanity by [artificial intelligences] and robots. Another might be that we all get to live forever as the robots and A.I.s overcome aging and help us launch into space,” Douglas Lain says. To some, Lain’s vision of the singularity in Bash Bash Revolution (Night Shade Books, 2018) might sound benign. It involves an idealistic government scientist, who designs an artificial intelligence named Bucky to prevent the apocalypse; in short order, Bucky decides the best way to do so is by enticing people to play augmented-reality

Jack Chen is a drug pirate, illegally fabricating patented pharmaceuticals in an underground lab. But when she discovers a deadly flaw in Big Pharma’s new productivity pill, corporate bosses hire a team of assassins to silence her. Annalee Newitz’s novel Autonomous (Tor, 2017) isn’t only a fast-paced cat-and-mouse story. It’s also an exploration of the rapaciousness of capitalism and its ability to turn everything, even freedom, into a commodity. Her first novel, Autonomous has been widely acclaimed, receiving Nebula and Lambda Literary award nominations. “I’ve written a lot about patents and how they affect innovation and how companies use patents to screw customers over,” Newitz, a journalist and founder of io9, says in her New Books interview with Rob Wolf. In Autonomous, she highlights how “something dry and wonky like patent law has a life or death hold over us.” Newitz also turns the idea of robot rebellion on its head. “I wanted to tweak this idea that is such a big cliché in science fiction about a so

Paris has a way of resisting history, absorbing change gradually instead of being transformed by it. The same can be said of Hallie, the protagonist of E.J. Swift’s Paris Adrift (Solaris, 2018), who is compelled by the threat of a future apocalypse to travel through time to key moments in history—and manages to do so without losing herself. Swift’s novel is both a suspenseful chrono-adventure and a portrait of Hallie, a young British woman running from an unhappy life. When she gets a job in current-day Paris as a waitress at a bar, she makes intense friendships among the staff of hard-drinking ex-pats. She also finds a time portal in the keg room. Hallie’s brilliance is in her economy of effort. For instance, with a simple suggestion whispered in the ear of architect Paul Abadie, she prevents the construction of Paris’ famous Sacré-Cœur Basilica (and thereby carries out an important leg of her mission). In a delightful twist, the church becomes a massive green windmill, turning into a symbol for an “Oc

Rob Wolf interviews Mur Lafferty about Six Wakes (Orbit, 2017), her novel about murdered clones that received nods for this year’s Philip K. Dick and Nebula awards—and, after the interview was recorded, the Hugo Award as well. Lafferty is no stranger to awards, having won the John W. Campbell Award for Best New Writer in 2013. She has been podcasting since 2004, using the medium to serialize her fiction and host the shows I Should Be Writing and Ditch Diggers, the latter of which was also nominated this year for a Hugo in the Fancast category. Lafferty talks about cloning laws, the risks of reading an unfinished novel in public, the lessons she learned from Agatha Christie, and the thrill of having her work nominated for science fiction’s most prestigious prizes. Rob Wolf is the author of The Alternate Universe. He worked for a decade as a journalist, writing on a wide range of topics from science to justice reform. He serves as director of communications at a think tank in New York City.Le

Rob Wolf interviews Tim Pratt about his Philip K. Dick Award-nominated space opera The Wrong Stars. Pratt is the author of over 20 novels, picking up a Hugo Award and nominations for the Nebula and many other awards over a productive and varied career. Until now, however, he’s written mostly contemporary fantasies, avoiding science fiction–even though he’s always been a fan of the genre. “I always thought I just wasn’t qualified to write science fiction,” he says. “I felt my grasp of the physics and orbital mechanics and the hard SF elements weren’t good enough.” But after finishing his Marla Mason urban fantasy series, he was ready for something new–and no longer felt intimidated by the idea of writing science fiction. “I thought, ‘It’s not as if writing science fiction means I have to write utterly plausible, completely grounded, hard science fiction.’ There’s a continuum that at one end has hard SF and at the other en

Born into a world where men vastly outnumber women, Etta is expected to choose between two roles: mother or midwife. And yet the protagonist of Meg Elison‘s eponymous second novel chooses a third: raider, a job that allows her to roam a sparsely populated Midwest, witnessing the myriad ways people have figured out how to survive. The Book of Etta is among this year’s nominees for the Philip K. Dick Award, following in the footsteps of its predecessor, The Book of the Unnamed Midwife, which earned Elison the Philip K. Dick Award in 2015. In Midwife, Elison explored the dangers of being female in the aftermath of an apocalyptic illness that killed more women than men and rendered childbirth nearly always fatal. Etta is set a century later. The midwife is now revered as the founder of Etta’s hometown, Nowhere, and the midwife’s diary is a bible of sorts, the subject of study and interpretation. Thanks to the midwife’s influence, women wield power in Nowhere. They are the leaders and

In this episode, Rob Wolf interviews Robert J. Sawyer, the author of 23 novels, about his most recent book, Quantum Night (Ace, 2016). Sawyer is considered, as he puts it, “an optimistic and upbeat science fiction writer.” But you wouldn’t know that from Quantum Night.The book explores the nature of evil, and its conclusion is alarming: the vast majority of humans are either psychopaths, lacking empathy for others, or mindless followers. Sawyer is one of the rare science fiction authors to earn Nebula, Hugo and John W. Campbell Memorial awards, and he deftly juggles multiple plots lines in Quantum Night, everything from his main character’s painful effort to reconstruct lost memories to geopolitical machinations, including the U.S.’s invasion of Canada. The story focuses on Jim Marchuk, a psychologist at the University of Manitoba, and his discovery (which his physicist girlfriend independently confirms) that psychopathy affects two-sevenths of the world’s population—

Popular culture provides many visions of the future. From The Jetsons to Futurama, Black Mirror to Minority Report, Western culture has predicted a future predicated on innovations in technology. In his new book for the MIT Essential Knowledge Series, The Future (MIT Press, 2017), Nick Montfort examines the writings of previous futurist writers, thinkers, and designers to provide an understanding of how the future can be constructed. In so doing, Montfort argues that the future is something we can shape instead of only predict.Learn more about your ad choices. Visit megaphone.fm/adchoices

Set 50-plus years in the future, Omar El Akkad‘s debut novel American War (Knopf, 2017) has been widely praised, becoming one of those rare books with science fiction themes to make numerous mainstream publications’ Best Books of the Year lists. It was, for example, among the 100 Most Notable Books in The New York Times, the Best Books of 2017 in GQ, and was the Canadian Broadcasting Corporation’s top pick for Canadian fiction. El Akkad was born in Cairo, Egypt, grew up in Qatar, eventually moved to Canada, and now lives in Oregon. He has worked as a journalist, covering everything from the Arab Spring to the Black Lives Matter movement. He also spent two years covering the terrorism trials of the Toronto 18, which gave him insight into how young minds are radicalized and provided partial inspiration for his depiction of American War’s protagonist, Sarat Chestnut. We meet Sarat when she’s an appealing, headstrong six-year-old and follow her, via El Akkad’s nuanced writing,

Everyone knows that wild mushrooms can be dangerous, but David Walton in his new novel The Genius Plague (Pyr, 2017) raises the dangers to a new plane. While victims of an unusual fungal infection enjoy skyrocketing I.Q.s, they also find themselves suddenly willing to sacrifice their own (and others’) lives to protect the Amazon rain forest, raising the possibility that the fungus—a species native to the Amazon—has hijacked their minds to advance its own ends. In his interview with Rob Wolf, Walton discusses the wonders of fungi, how he finds time to write while juggling his responsibilities as both an engineer and father of seven, how he came to believe in evolution after growing up in a family that considered Darwin’s ideas “silly,” and the importance of shunning dogma. The Wall Street Journal named The Genius Plague one of the best science fiction books of 2017. Walton’s first book, Terminal Mind, received the Philip K. Dick Award in 2008. Rob Wolf is the author o

Rob Wolf interviews Becky Chambers, author of the Wayfarer series. The first book, The Long Way to a Small, Angry Planet (Harper Voyager, 2016), was originally self-published then quickly picked up by a traditional publisher, garnering numerous accolades. It was shortlisted for, among other things, the Kitschies, a British Fantasy Award, and the Arthur C. Clarke Award. Her second book, A Closed and Common Orbit (Harper Voyager, 2017), was nominated this year for a Hugo for Best Novel and won the Prix Julia Verlanger. Billed as a space opera, The Long Way to a Small, Angry Planet does the unexpected: rather than focus on battles or threats to civilization it offers an intimate portrait of the relationships among the nine members of the Wayfarer spacecraft’s multi-species crew. And with A Closed and Common Orbit, Chambers does the unexpected again: rather than follow the Wayfarer’s crew on a new adventure, it focuses on two of the lesser characters from the first book, offering poignant coming-of-a

In this episode, Rob Wolf speaks with Stephen Baxter, author of The Massacre of Mankind (Crown, 2017), the alliteratively titled sequel to H. G. Wells‘ alliteratively titled classic, The War of the Worlds. Baxter is the author of over 20 novels and dozens of short stories. He’s won the John W. Campbell Award, the Philip K. Dick Award twice, and numerous British Science Fiction Association awards. Few books (science fiction or otherwise) have had as large an impact on the modern imagination as The War of the Worlds. Since it appeared as a serial in a British magazine in 1897, it has been adapted for movies (at least seven times), comics, television, video games and, most famously, in 1938 for a radio drama by Orson Welles that reportedly caused some listeners, who confused fictional news for real, to panic. In The Massacre of Mankind, Baxter envisions new technologies adapted from salvaged Martian equipment, the takeover of much of Europe by Kaiser Wilhelm, and, of course, the eventual return of t

Since their establishment, the Nebula Awards have proven a trusty guide to what the next generation will consider a classic. Take for example, the inaugural award for Best Novel, which went to Frank Herbert for Dune in 1965. Dune‘s impact can be measured in countless ways–not only in the loyalty of critics and fans (who have left in excess of half a million ratings on Goodreads) but in the proliferation of sequels, prequels, movies, TV shows, games, and more. The 2015 Best Novel winner, Naomi Novik (for Uprooted), joins the ranks of science fiction and fantasy’s greatest authors, including Samuel R. Delany, Ursula K. Le Guin, Larry Niven, Isaac Asimov, Connie Willis, William Gibson, Octavia E. Butler, Kim Stanley Robinson and many more. But the Nebulas, voted on by the members of the Science Fiction and Fantasy Writers of America, recognize more than novels. Award categories include stories, poems, and dramatic presentation. The abundance of categories and nominees posed a challenge for Juli

A deft and searching exploration of genre theory through science fiction, and science fiction through genre theory, John Rieder‘s Science Fiction and the Mass Cultural Genre System (Wesleyan University Press, 2017) makes a significant contribution to the efforts to grapple with science fiction as a category of analysis and cultural production. Building on his previous work in colonialism and science fiction, Rieder’s book begins with an assessment of the scholarship on mass culture and the media flows of the early twenty-first century, when science fiction gained currency as a genre identifier. Drawing together analyses of educational curriculum, technologies of publication, and the social production and distribution of literacy itself, Rieder makes the case for understanding science fiction as a social convention familiar to authors, editors, booksellers, and readers, but often the worse for its encounters with the jagged edges of traditional genre systems. Calling on the work of Frederic Jameson

Artificial intelligence has long been a favorite feature of science fiction. Every robot or talking computer or starship operating system has contributed to our idealized image of the bits-and-bytes brain. In (ID)entity (47North, 2017), PJ Manney further expands our vision of A.I. by uploading her human protagonist to a server; from there, he is replicated and downloaded, re-emerging in everything from a sex-bot to a vegetative man. Published this month by 47North, (ID)entity is the second book in Manney’s fast-paced, plot-twisting Phoenix Horizon series. As the follow-up to the Philip K. Dick Award-nominated (R)evolution, her new novel is both an exploration of transformative technology and a thriller, set in a world where nations (including the U.S.) have collapsed, swathes of humanity face enslavement, and the future of civilization hangs in the balance. One of Manney’s ambitions as a writer (in addition to entertaining readers) is to prepare the public for the possible impacts of new technolog

Malka Older‘s Centenal Cycle is set in the latter half of the 21st century and yet, like all good science fiction, it speaks to the current moment. Null States (Tor, 2017), the second book in her series, builds on the first, Infomacracy, which introduced readers to a near future in which the Earth is crisscrossed by a network of small but stable democracies. But in Null States, efforts to strengthen and expand this world order are threatened by unknown plotters. What makes Older’s books so timely is that they address some of the most vexing challenges of the Trump era, including the difficulty of separating truth from lies and the uphill effort to foster trust in government. Drawing on more than a decade of experience working for organizations that provide humanitarian aid and development, Older’s books introduce the idea of mini-nations known as microdemocracies. These tiny states are capped at 100,000 citizens in an effort to ensure that the minority always has a voice. Each microdemocracy