Latino Usa

Los Angeles, you might be surprised to learn, sits on top of the largest urban oil field in the country and has been the site of oil extraction for almost 150 years. Today, nearly 5,000 oil wells remain active in Los Angeles County alone, many operating in communities of color, often very close to homes, schools, and hospitals. Latino USA visits a neighborhood in South Los Angeles, the epicenter of an anti-oil-drilling movement that is gaining momentum. We meet Nalleli Cobo, the 18-year-old who’s working to shut down the oil industry, one well at a time. This episode originally aired in June of 2019.

Luz Elena Mendoza Ramos is a Chicanx artist and musician who has been playing under the name Y La Bamba for nearly 20 years. As the child of immigrant parents, Luz Elena struggled to feel seen in the music industry, but as they’ve continued making music, they have grown into their identity as an artist. Last year, Luz Elena moved back to Mexico City to explore where they come from. That search also led to the publication of their seventh studio album — “Lucha” — and to Y La Bamba playing their first show ever in Mexico City. In this episode, Luz Elena shares why playing that show was so important to them and reflects on their path toward becoming more themselves.

In this episode of Latino USA, historian Mireya Loza and her uncle and former bracero Juan Loza meet at his home in Chicago to reflect on the legacy of the long-running and controversial labor Bracero Program and its impact on their family.

When Austin's cumbia-funk institution Grupo Fantasma went to record their seventh album at a studio in Tornillo, Texas, they had no idea that right next door was a tent city for detained immigrant youth operated by ICE. When they found out, they decided they had to do something. So they teamed up with fellow legends Ozomatli and Locos Por Juana to create a sinister funk tune with a message about the walls that divide us. On this edition of How I Made It, members of Grupo Fantasma break down the creative process behind their new song "The Wall."

In 2018, just months after Hurricane Maria, an eccentric group of cryptocurrency enthusiasts arrived in Puerto Rico. They came with big plans for the island—to help rebuild after the hurricane, and in the process create a high-tech cryptocurrency paradise in the Caribbean. They also came to take advantage of Puerto Rico’s favorable tax laws. But not everyone in Puerto Rico was on board with their vision to change everything on the island. Latino USA follows the often-bizarre story of these Bitcoin pirates of the Caribbean, from crypto boom to crypto bust.

Omar Apollo, a rising star in the indie R&B scene, began making music on his own by teaching himself chords from YouTube videos and honing his sound in an attic in a small town in Indiana. His first breakthrough came on Spotify in 2017, with the song “Ugotme.” Four years later, Omar has amassed more than 100 million streams on the platform and has toured internationally. In this “How I Made It” segment, Omar Apollo takes us back to the days of making music on borrowed equipment, and shares how he explored everything from funk music to corridos to make his debut album, “Apolonio.” This episode originally aired in February of 2021.

In 2022, the Bering Sea snow crab season was canceled for the first time in history. Essentially 10 billion snow crabs went missing. The cause? Warming waters due to climate change. In this episode, Latino USA producer Reynaldo Leaños Jr. travels to Kodiak, Alaska to see how a fishing community is trying to stay afloat as climate change disrupts their industry—and lives.

This week Latino USA brings you an episode of the Caliber 60 podcast. Avocado consumption has exploded in the U.S. over the past decade. But what’s rarely seen is the rotten underbelly of this industry, controlled by armed groups in Mexico who use smuggled weapons from the U.S. to keep control over this lucrative business. Meet Linda, who lives in Ixtaro, a small avocado producer town. She experienced unimaginable horrors while under the siege of narcos. You can subscribe to Caliber 60 here.

One in four women in the United States have a family member in prison—and those carrying the resulting financial and emotional burden are disproportionately women of color. Mary Estrada is one of them. She’s been taking care of her husband Robert for 40 years, as he’s been in and out of prison throughout his adult life. Most Sundays, Mary wakes up at 3 a.m. and drives 135 miles each way from Pomona, California to San Diego to meet her incarcerated husband. In this episode of Latino USA, we accompany Mary on one of her Sunday visits, and we learn about the true costs of supporting a loved one in prison.

“Too proper for the Black kids, too Black for the Mexicans," sings Grammy award-winning artist Miguel Pimentel. Miguel is the son of an African-American mother and a Mexican-born father. He's known for his eclectic sound, shaped by his home: Los Angeles. This year, he’ll release a deluxe version of his album, 'War & Leisure,' which will include songs in Spanish. It was inspired by a trip to Zamora, where he met his family in Mexico for the first time. Maria Hinojosa talks to the singer-songwriter about his life-changing trip and how his multicultural upbringing influenced his unique sound. This episode originally aired in July 2018.

The call for the abolition of all student debt has never been louder– but how did we get to a place where this demand is possible? Latino USA dives into the history of the student loan system in the U.S., as well as the stories of Black and Latinx organizers who have been at the forefront of the movement for student debt cancellation. We look at how their efforts have shifted the conversation and ask why abolishing student debt is an issue of racial and economic justice. This episode originally aired in July 2022.

Five years ago, Latino USA producer Antonia Cereijido was only an intern and still in college when she did what a lot of people do when they're not sure what their life will look like after graduation: she cried in the bathroom. After wiping her eyes and returning to her desk, she tried to comfort herself by calculating how many other Latinos had cried at the same time she had. This led her to ask herself: do Latinos cry more than other people, on average? Thus began her strange and lachrymose journey into the world of crying. This episode originally aired on Feb 9, 2018.

Latino USA continues to mark its 30th anniversary and look back on its reporting throughout the decades. One topic the show has heavily reported on is Latinos serving in the military and today we take a new look at that subject. In this episode, producer Reynaldo Leaños Jr. travels to Laredo, Texas on the U.S.-Mexico border. He brings us the story of Lance Corporal David Lee Espinoza, who was killed in Afghanistan in 2021 during the U.S. withdrawal from the country. Reynaldo meets with those closest to David to help tell the story of who David was, as well as explore how the military has historically —and continues— to seek Latinos and Latinas to fill its ranks.

Brothers Isaac and Esteban Hernández have performed on some of the most prestigious stages in the world. But their journey to the top rank of their industry had a unique start. Originally from Guadalajara, Mexico, Isaac and Esteban's first ballet teacher was their father, Héctor, and their first ballet studio was their home’s backyard. Last year, they became the first siblings to achieve the rank of principal dancer for the San Francisco Ballet.

Gioconda Belli is an award-winning Nicaraguan author. She has published novels, essays, poetry collections, and a memoir called “The country under my skin,” which recounts her time as a member of the Sandinista National Liberation Front—fighting to free her country from a dictatorship. Now, 40 years after the Sandinista victory, Gioconda finds herself living in exile and unable to return to Nicaragua. She was recently stripped of her citizenship by the person who once was her comrade: President Daniel Ortega. In this episode of Latino USA, Gioconda talks about her long history of standing up to dictators, what she finds revolutionary in writing, and what hopes she still has for the future of Nicaragua.

The September 11th attacks left nearly 3,000 dead, many more injured and an entire nation traumatized. The 24-hour news cycle that followed focused endlessly on the identity of the terrorists: non-citizens who had been able to exploit “vulnerabilities” in the system. The United States government responded with harsh policy changes in the name of national security, including the Patriot Act, but it also focused the weight of policymaking on curbing immigration, funding astronomical budgets to further tighten borders, and toughening enforcement against non-citizens — including Muslims, Latinos, and others with zero ties to terrorism. In this episode, we explore major changes and events over the past 20 years that forever changed the U.S. immigration system through the lens of this one catastrophic day. This episode originally aired in September 2021.

In this episode of Latino USA we partner up with Documented, a nonprofit news site that covers immigrants in New York City, to get a behind-the-scenes look at the experience of trying to navigate the immigration courts as an asylum-seeker under the Trump Administration. We follow the story of Wendy and Elvis, Guatemalan newlyweds who flee violent extortion threats only to find themselves in a maddening and punishing U.S. court system that is now the norm for immigrants seeking safety. This episode originally aired in March 2020.

In the late 90's, Rodrigo Sánchez and Gabriela Quintero embarked on a one-way trip to Dublin, Ireland. While they were originally heavy metal musicians back home in Mexico, they traded their electric guitars for acoustic ones and became street performers in Ireland to sustain themselves. Eventually, they started getting more recognition. In 2006, they put out their first album, which debuted at number one on the Irish Albums Chart. Their latest album "Mettavolution" has earned them their first Grammy. In this “How I Made It,” Rodrigo and Gabriela take us back to the origins of their band and tell us what keeps them going after more than 20 years. This episode originally aired in 2019.

The stereotype goes that Latinos only listen to salsa or reggaeton. But one of the biggest genres of music across Latin America is actually heavy metal, with bands like Iron Maiden selling out stadiums across the region when they tour there. On today's Breakdown, we ask.... why? How did metal take over Latin America so completely? We look at the extreme fandom for metal across Latin America and discuss the story behind the groundbreaking Brazilian band, Sepultura, and how they changed the fate of metal music forever. This episode originally aired in 2019.

Soulection is a music startup, which has quickly grown to be a powerhouse with a record label, a popular radio show, and worldwide tours—bringing together an international group of music lovers. It all began as an online podcast created in a garage in Southern California. At the time, Joe Kay was a college student who was looking to bring independent artists, DJs, and producers to fresh ears. Today, co-founder Joe Kay reflects on Soulection's grassroots beginnings and its impact on the music scene. The episode originally aired in 2019.