Person Place Thing With Randy Cohen

This New York Times book critic has many off-the-job accomplishments: “Learning how to eat chicken feet and love them is one thing I’m really proud of.” The author of The Upstairs Deli expands our capacity for joy—in reading, in eating, in life. Produced with Rizzoli bookstore. Music: Stephanie Jenkins.

This magician had mixed feelings when he figured out how a colleague performed an illusion. “It was no less amazing to me when I knew how it was done, but it was disappointing.” The austere joy of knowledge or the sensuous pleasure of mystery: a magician’s dilemma. Produced with Lori Schwarz for KGB Bar’s Red Room. Music: Reed Miller.

Her father, Walter, was the grand master of cat photography. “Growing up,” she says, “when you told somebody what your parents did, it was just like: what?” Presented with Fotografiska, where his work can be seen through January in the exhibition Best in Show, Pets in Contemporary Photography. Music: Jordan McLean, Jose Escobar

In addition to his work for corporations (Nike, Apple) and non-profits, this graphic designer documents everything, not just as a way to record an event but as an act of meditation: “Documenting allows me to slow it down and to sit in that space a little longer.” Produced with the Type Directors Club, part of The One Club for Creativity.  Music: Rashad Brown

Speaking at—and of—Gansevoort Plaza, a public space he designed, landscape architect Ken Smith considers the implications of the past as well as the needs of the present: “Land has memory. It’s really a crime to erase the memory of a place.” Produced with Meatpacking-District BID. Music: Rob Duncan and Mayumi Miyaoka.

This composer, mastermind of “Piano Puzzlers,” feared premature death: “Schubert died at 31, Mozart died at 35, Gershwin died at 39. I thought because my father died when he was 55, that I would, too.” A conversation at Steinway Hall on fathers, sons, and the neuroscience of creativity.

As young actor—he’s now 97— he studied with Stella Adler along with Marlon Brando, (“He was a great actor but an impossible person.”) a saga he recounts in The Star Dressing Room. One of them became the head of Warner Brothers Television, the other became Marlon Brando.

This Grammy-nominated musician, celebrated for his work with the Carolina Chocolate Drops and Rhiannon Giddens, sums himself up: “I play the banjo, talk about Black people, and really love Star Trek.” Hubby in a nutshell at Terra Blues.

Her book The Quickening recounts an Antarctic expedition to Thwaites Glacier, which holds enough ice to raise sea levels three feet. “It’s this otherworldly being that has the power to shape us.” But, she urges, please avoid its nickname, “Doomsday Glacier.” That’s just mean. Produced with Orion magazine.

Lifelong friends, these writers grew up on the same block. His newest book is Brooklyn Crime Novel; she is developing the Imitation of Life Musical with John Legend and Liesl Tommy.. Presented with The New York Women's Foundation: advancing economic, gender, and racial justice for women and families.

A friend of his wife gave his novel Empire Falls to Ivanka Trump. Her response: “This is a book about poor people. Why would I want to read a book about poor people?” Some bad reviews are better than good reviews. Presented with the Center for Fiction and the Brooklyn Conservatory of Music.

This poet, president of the Mellon foundation, quotes June Jordan on the question activists should ask: “Where is the love? What are we moving toward, not just what are we fighting against?” Poetry, politics, and why your Thanksgiving dinner should include lasagna. Made Eritrean style.

The president and CEO of the Hudson River Park Trust offers a too-modest explanation of its popularity: “I think there’s a universal urge that people have to see and connect with water.” Melville writes something similar at the start of Moby-Dick. Different ending, though.

The founder of Paylocity, he is a partner in the Wayfarer Foundation, whose mission is to “advance humankind spiritually toward a future peaceful world civilization.” Dauntingly ambitious. My mission this weekend is to clean my oven, and I won't. Presented with the New York Baha’i Center.

“The best future for the United States belongs to people who can appreciate both the Declaration of Independence and Martin Luther King’s ‘I Have a Dream’ speech,” says Manhattan's borough historian and professor emeritus at Rutgers. “And leaders who’ve actually read both,” he did not add.

Early in his career, the conductor of the National Children’s Chorus interviewed for a job with Sister Stella Maria Enright. “She said, ‘Where did you park?’ And I said, ‘Right in front.’ And she said, ‘There is never parking in front. That is a sign from the holy spirit.’” She was kidding. Kind of. He got the job.

A former writer and performer for Saturday Night Live, he says that each episode was written in one night, “and by night I mean eight, nine PM, until three, four in the morning.” A former U.S. Senator from Minnesota, he does not say how tax laws are written.

Following in her father’s footsteps, the head of the Department of Citywide Administrative Services says, “I had a chance to see first hand someone who worked for New York City government.” She’s second-generation! The latest in our Commissioners Series—how government governs—produced with the Department of Records and Information Services. Music: Jefferson Hamer.

Through her many projects, this landscape architect has learned a lot—about nature, about human behavior, about their intersection. Her hope for the future: “Can we just make better mistakes? Can we not make the really really dumb mistakes?” Setting achievable goals. Produced with Open House New York. Music: Adi Horodniceanu.

He’s just concluded six-years as conductor of the New York Youth Symphony. As a youth himself, he was taken to Disney Concert Hall. “They asked me what it would feel like if you got to conduct here, and I cried immediately.” Tears of Joy. Presumably. Or some trauma with a little mermaid.