Color Talk With Tom Parish

In this interview I speak with Dwight Adair, writer/director/producer at Seadra Productions. We talk about film and the color-grading experience of West Texas Muse, a film about Tommy Hancock. This documentary is 64 minutes long and was shot over a period of 10 years on SD video. There were quite a few special challenges in getting the movie finished. It was originally edited on a FCP3 system, and the movie included many old family movies and stills, all needing special color correction. Dwight did an amazing job of editing the story and building up the initial sound track. As you know, the devil is in the details with audio, so I want to give a special shout-out to Reed Hart for his dedication to reworking the soundtrack from start to finish to make it perfect. He truly has a intuitive feel for what sounsd right in a mix between words and music. The movie is being submitted to film festivals this year, but I believe there are plans to create DVDs so check back later on this if you are interested. I post