Kingston Shakespeare Podcasts

In 2004, the Financial Times critic Alastair Macaulay argued that the role of Othello had been “diminished” by the late twentieth century convention of having only black actors play the part. The threshold for Macaulay had been what he perceived to be another poor performance as Othello. Yet since Paul Robeson’s appearance as Othello at the Savoy Theatre in 1930, language has been a major weapon of critics and journalists opposing ethnic minority performers’ appearances in Shakespearean theatre. This paper examines critical responses by arts journalists and critics to these performances, helping to contextualize discriminatory casting patterns in contemporary theatre as part of a larger discourse guided by the media. Bio: Dr. Jami Rogers trained at the London Academy of Music and Dramatic Art (LAMDA) and holds an MA and a PhD from the Shakespeare Institute, the University of Birmingham. Prior to obtaining her PhD Jami spent 10 years working for PBS, the American public service broadcast television network, f