New Books In Folklore

Michael Slouber's Early Tantric Medicine: Snakebite, Mantras, and Healing in the Garuda Tantras (Oxford UP, 2016) looks at a traditional medical system that flourished over 1,000 years ago in India. The volume brings to life this rich tradition in which knowledge and faith are harnessed in complex visualizations accompanied by secret mantras to an array of gods and goddesses; this religious system is combined with herbal medicine and a fascinating mixof lore on snakes, astrology, and healing. The book's appendices include an accurate, yet readable translation of ten chapters of the most significant Tantric medical text to be recovered: the Kriyakalagunottara. Raj Balkaran is a scholar, online educator, and life coach. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore

What is the oral tradition of Chinese storytelling about and what is the connection to the great Chinese novels? How to translate a Chinese classic such as the famed and defamed “Jin Ping Mei”? And how to handle the dilemma of steering one’s boat between enormous amounts of scholarship on the novel without drowning, and keeping up the tempo of translation day after day? NIAS senior researcher Vibeke Børdahl joined NIAS Press Student Assistant, Julia Heinle, to discuss her upcoming publications “Jin Ping Mei i vers og prosa”, I-X (Vandkunsten, 2011-2022) and “Jin Ping Mei – A Wild Horse in Chinese Literature” (ed. by Vibeke Børdahl and Lintao Qi) (NIAS Press 2022). Dr. Vibeke Børdahl is a senior researcher at NIAS and is generally recognized as one of the most accomplished scholars in the study of Chinese oral literature. As well as doing much research on the interplay of oral and written traditions in Chinese popular literature and performance culture, over the past decade she has translated the full work of 

How does music link people across time and space? How do singers modulate their repertoires to forge links with audiences both within and across local, regional and national borders? What are the consequences of these developments? In Song King: Connecting People, Places and Past in Contemporary China (University of Hawaii Press 2018), Dartmouth College Assistant Professor Levi S. Gibbs seeks to answer these and other questions through an examination of the life and music of Wang Xiangrong, the Folksong King of Western China. As a folksong king, Wang is both folk and elite, and in this capacity he simultaneously is tasked with representing the local, the regional, and the national both in performances within China, and—in the case of one chapter looking at his performance at the Dow Chemical Plant in Midlands Michigan—around the world. Born and raised in a rural area of Northern Shaanxi Province, Wang grew up listening to shamanic songs and bawdy songs, but grew into other contexts in which he now represents

Goddess characters are revered as feminist heroes in the popular media of many cultures. However, these goddess characters often prove to be less promising and more regressive than most people initially perceive. Goddesses in film, television, and fiction project worldviews and messages that reflect mostly patriarchal culture (including essentialized gender assumptions), in contrast to the feminist, empowering levels many fans and critics observe. Building on critiques of other skeptical scholars, The Goddess Myth in Contemporary Literature and Popular Culture: A Feminist Critique (University Press of Mississippi, 2022) deepens how our remythologizing of the ancient past reflects a contemporary worldview and rhetoric. Structures of contemporary goddess myths often fit typical extremes as either vilified, destructive, dark, and chaotic (typical in film or television); or romanticized, positive, even utopian (typical in women’s speculative fiction). This goddess spectrum persistently essentializes gender, stere

Singing the Goddess Into Place: Locality, Myth, and Social Change in Chamundi of the Hill, a Kannada Folk Ballad (SUNY Press, 2022) demonstrates how folk narratives reflect local context while also actively working to upend social inequities based on caste and ritual/devotional practices. By delving into this world, the book helps us understand how a landscape is transformed through people's relationship with it and how this relationship helps build meaning for the communities that call it home. Raj Balkaran is a scholar, online educator, and life coach. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore

From ancient myth to contemporary art and literature, a beguiling look at the many incarnations of the mischievous—and culturally immortal—god Pan. Pan—he of the cloven hoof and lustful grin, beckoning through the trees. From classical myth to modern literature, film, and music, the god Pan has long fascinated and terrified the western imagination. “Panic” is the name given to the peculiar feeling we experience in his presence. Still, the ways in which Pan has been imagined have varied wildly—fitting for a god whose very name the ancients confused with the Greek word meaning “all.” Part-goat, part-man, Pan bridges the divide between the human and animal worlds. In exquisite prose, Paul Robichaud explores how Pan has been imagined in mythology, art, literature, music, spirituality, and popular culture through the centuries. At times, Pan is a dangerous, destabilizing force; sometimes, a source of fertility and renewal. His portrayals reveal shifting anxieties about our own animal impulses and our relationship

Raj Balkaran's 200th podcast episode: Christa Kuberry interviews him on his beautifully written new book The Stories Behind the Poses: The Indian Mythology That Inspired 50 Yoga Postures (Leaping Hare, 2022), and highlighting their significance for practice.  Raj Balkaran is a scholar, online educator, and life coach. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore

Adrienne Mayor is renowned for exploring the borders of history, science, archaeology, anthropology, and popular knowledge to find historical realities and scientific insights--glimmering, long-buried nuggets of truth--embedded in myth, legends, and folklore. Combing through ancient texts and obscure sources, she has spent decades prospecting for intriguing wonders and marvels, historical mysteries, diverting anecdotes, and hidden gems from ancient, medieval, and modern times. Flying Snakes and Griffin Claws: And Other Classical Myths, Historical Oddities, and Scientific Curiosities (Princeton UP, 2022) is a treasury of fifty of her most amazing and amusing discoveries. The book explores such subjects as how mirages inspired legends of cities in the sky; the true identity of winged serpents in ancient Egypt; how ghost ships led to the discovery of the Gulf Stream; and the beauty secrets of ancient Amazons. Other pieces examine Arthur Conan Doyle's sea serpent and Geronimo's dragon; Flaubert's obsession with a

The Dragon Daughter and Other Lin Lan Fairy Tales (Princeton University Press, 2022) by Dr. Juwen Zhang brings together forty-two magical Chinese tales, most appearing for the first time in English. These stories have been carefully selected from more than a thousand originally published in the early twentieth century under the pseudonyms Lin Lan and Lady Lin Lan—previously unknown in the West, and now acclaimed as the Brothers Grimm of China. The birth of the tales began in 1924, when one author, Li Xiaofeng, published a set of literary stories under the Lin Lan pen name, an alias that would eventually be shared by an editorial team. Together, this group gathered fairy tales (tonghua) from rural regions across China. Combining traditional oral Chinese narratives with elements from the West, the selections in this collection represent different themes and genres—from folk legends to comic tales. Characters fall for fairies, experience predestined love, and have love/hate relationships with siblings. Garden sn

In this rebroadcast, John and Brandeis neuroscientist Gina Turrigiano (an occasional host and perennial friend of Recall this Book) speak with Madeline Miller, author of the critically acclaimed bestseller Circe. Elizabeth Ferry is Professor of Anthropology at Brandeis University. Email: ferry@brandeis.edu. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: plotz@brandeis.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore

Elizabeth and John talk about fantasy's power of world-making with Edinburgh professor Anna Vaninskaya, author of William Morris and the Idea of Community: Romance, History and Propaganda, 1880-1914 ( 2010) and Fantasies of Time and Death: Dunsany, Eddison, Tolkien ( 2020). Anna uncovers the melancholy sense of displacement and loss running through Tolkien, and links his notion of "subcreation" to an often concealed theological vision. Not allegory but "application" is praised as a way of reading fantasy. John asks about hopeful visions of the radical politics of fantasy (Le Guin, but also Graeber and Wengrow's recent work); Elizabeth stresses that fantasy's appeal is at once childish and childlike. E. Nesbit surfaces, as she tends to in RtB conversations. The question of film TV and other visual modes comes up: is textual fantasy on the way out? Mentioned in the Episode: David Graeber and David Wengrow, The Dawn of Everything. In "From Elfland to Poughkeepsie" Ursula Le Guin perhaps surprisingly praises t

Once viewed as an embarrassing superstition, the theatrical religious performances of Korean shamans--who communicate with the dead, divine the future, and become possessed--are going mainstream. Attitudes toward Korean shamanism are changing as shamanic traditions appear in staged rituals, museums, films, and television programs, as well as on the internet.  In Contemporary Korean Shamanism: From Ritual to Digital (Indiana University Press, 2021), Liora Sarfati explores this vernacular religion and practice, which includes sensory rituals using laden altars, ecstatic dance, and animal sacrifice, within South Korea's hypertechnologized society, where over 200,000 shamans are listed in professional organizations. In doing so, Sarfati reveals how representations of shamanism in national, commercialized, and screen-mediated settings have transformed opinions of these religious practitioners and their rituals. Applying ethnography and folklore research, Contemporary Korean Shamanism maps this shift in perception

Deirdre Ní Chonghaile is a writer, musician, broadcaster, and curator from the Aran Islands. Working bilingually in Irish and English, she is drawn to voices, contemporary and historical, especially those that have been marginalized, and to what they have to say or sing. She read Music at St. Hilda's College, Oxford, and worked at the University of Notre Dame and the Library of Congress. Deirdre is currently curating an exhibition for Roinn na Gaeilge at NUI Galway on the first professor of Irish there, Tomás Ó Máille, and also preparing an anthology of over fifty traditional songs composed in the Aran Islands from the nineteenth century to the present day. In this interview, she discusses her new book Collecting Music in the Aran Islands: A Century of History and Practice (U Wisconsin Press, 2021), which uses interlocking case-studies of traditional music collection to investigate questions of preservation, curation and marginalization. Collecting Music in the Aran Islands, a critical historiographical study

The superhero of comic books and blockbuster movies may be a quintessentially American invention, forever saving the world in skin-tight spandex. But the cultural DNA of the superhero can arguably be traced to a much older, more progressive, British tradition: the larger-than-life folk heroes of historical protests – General Ludd, Captain Swing, Lady Skimmington, and others; semi-fictional identities that ordinary protestors adopted, often dressing up in the process. The Cuckoo Cage (CommaPress, 2022), edited by Ra Page, is a unique experiment, twelve authors have been tasked with resurrecting that tradition: to spawn a new generation of present-day British superheroes, willing to bring the fight back to British shores and to more progressive causes. From the dimension-jumping statue-toppler, to the shape-shifting single mum raiding supermarkets to stock local foodbanks, these figures offer unlikely new insights into shared, centuries-old political causes, and usher in a new league of proud, British (social j

Stephanie Khattak speaks with Dr. Linda Legarde Grover, an award-winning author whose latest book interweaves family and Ojibwe history with stories from Misaabekong (the place of the giants) on Lake Superior in Duluth, Minnesota: Gichigami Hearts: Stories and Histories from Misaabekong (U Minnesota Press, 2021) Dr. Grover is an Anishinaabe novelist and short story writer. She is a professor of American Indian Studies at the University of Minnesota Duluth and a member of the Bois Forte Band of Ojibwe. Her work, which spans fiction, nonfiction, and poetry, recounts stories of Ojibwe life in northeastern Minnesota individuals, families and communities set against the backdrop of indigenous tradition and impacts of historical and current events. In this interview, Dr. Grover shares the importance of stories and folklore traditions; her perspective as a scholar and storyteller, and the intrinsic value of maintaining - and strengthening - connections with people, places and communities beyond ourselves. Stephanie

With The Handbook for Folklore and Ethnomusicology Fieldwork (Indiana University Press, 2019), Lisa Gilman and John Fenn offer a comprehensive review of the ethnographic process for developing a project, implementing the plan, and completing and preserving the data collected. Throughout, readers will find a detailed methodology for conducting different types of fieldwork such as digital ethnography or episodic research, tips and tricks for key elements like budgeting and funding, and practical advice and examples gleaned from the authors' own fieldwork experiences. This handbook also helps fieldworkers fully grasp and understand the ways in which power, gender, ethnicity, and other identity categories are ever-present in fieldwork and guides students to think through these dynamics at each stage of research. Written accessibly for lay researchers working in different mediums and on projects of varying sizes, this step-by-step manual will prepare the reader for the excitement, challenges, and rewards of ethnog

Spanning myth, history, and contemporary culture, a terrifying and illuminating excavation of the meaning of cannibalism. Every culture has monsters that eat us, and every culture repels in horror when we eat ourselves. From Grendel to medieval Scottish cannibal Sawney Bean, and from the Ghuls of ancient Persia to The Texas Chainsaw Massacre, tales of being consumed are both universal and universally terrifying. In this book, Kevin J. Wetmore Jr. explores the full range of monsters that eat the dead: ghouls, cannibals, wendigos, and other beings that feast on human flesh. Moving from myth through history to contemporary popular culture, Wetmore considers everything from ancient Greek myths of feeding humans to the gods, through sky burial in Tibet and Zoroastrianism, to actual cases of cannibalism in modern societies. By examining these seemingly inhuman acts, Eaters of the Dead: Myths and Realities of Cannibal Monsters (Reaktion Books, 2021) reveals that those who consume corpses can teach us a great deal ab

In The Fairy Tellers: A Journey into the Secret History of Fairy Tales (John Murray, 2022), Nick Jubber unearths the lives of the dreamers who made our most beloved fairy tales: inventors, thieves, rebels and forgotten geniuses who gave us classic tales such as 'Cinderella', 'Hansel and Gretel', 'Beauty and the Beast' and 'Baba Yaga'. From the Middle Ages to the birth of modern children's literature, they include a German apothecary's daughter, a Syrian youth running away from a career in the souk and a Russian dissident embroiled in a plot to kill the tsar. Following these and other unlikely protagonists, the book travels from the steaming cities of Italy and the Levant, under the dark branches of the Black Forest, deep into the tundra of Siberia and across the snowy fells of Lapland. “This is how the history of fairy tales operates: stories splintering along zigzagging pathways, carrying long-sounding echoes that turn down narrative alleyways suggested elsewhere or replicate each other with astonishing exac

In Folk Literati, Contested Tradition, and Heritage in Contemporary China: Incense Is Kept Burning (Indiana UP, 2020), Ziying You explores the role of the "folk literati" in negotiating, defining, and maintaining local cultural heritage. Expanding on the idea of the elite literati―a widely studied pre-modern Chinese social group, influential in cultural production―the folk literati are defined as those who are skilled in classical Chinese, knowledgeable about local traditions, and capable of representing them in writing. The folk literati work to maintain cultural continuity, a concept that is expressed locally through the vernacular phrase: "incense is kept burning." You's research focuses on a few small villages in Hongtong County, Shanxi Province in contemporary China. Through a careful synthesis of oral interviews, participant observation, and textual analysis, You presents the important role the folk literati play in reproducing local traditions and continuing stigmatized beliefs in a community context.

The Nuosu people, who were once overlords of vast tracts of farmland and forest in the uplands of southern Sichuan and neighboring provinces, are the largest division of the Yi ethnic group in southwest China. Their creation epic plots the origins of the cosmos, the sky and earth, and the living beings of land and water. This translation is a rare example in English of Indigenous ethnic literature from China. Transmitted in oral and written forms for centuries among the Nuosu, The Nuosu Book of Origins: A Creation Epic from Southwest China (U Washington Press, 2019) is performed by bimo priests and other tradition-bearers. Poetic in form, the narrative provides insights into how a clan- and caste-based society organizes itself, dictates ethics, relates to other ethnic groups, and adapts to a harsh environment. A comprehensive introduction to the translation describes the land and people, summarizes the work's themes, and discusses the significance of The Book of Origins for the understanding of folk epics, et